Category: Movies

  • Walt Before Mickey (2015)

    Walt Before Mickey (2015)

    140 Character Movie Review – #140RVW

    There’s a good movie to be made about the early years of Walt Disney; sadly, this workmanlike outing isn’t it. Still worthy of your time…

    Walt Before Mickey

    Spoiler-free Movie Review of Walt Before Mickey:

    Despite whatever impressions you get from the name of this site, I really try to keep these reviews positive. I take absolutely no pleasure in trashing a film or novel (with a few exceptions, like Zack Snyder, whose films I love to hate). Although I am obnoxiously over-opinionated in real life, I pause before writing a negative review. I simply don’t think it adds anything to the already over-populated web to write a hatchet job. There’s too much of that already. Surprisingly to those who have known me a long time, I generally do follow the advice of not saying anything if you have nothing nice to say.

    This is doubly true because this site has developed a bit of an independent focus. I’m really finding it much more rewarding to feature lesser known films and novels. I hope in my own small way that I’m amplifying the signal and helping artists find their audience. So the last thing I want to do is trash someone who isn’t buffeted by dozens of complimentary reviews.

    Walt Before Mickey

    So it kills me when I come across a mixed bag like Walt Before Mickey. I eagerly looked forward to the release of this picture, and I already said I was going to review it, so I don’t want to skip it simply because it was a fairly complete letdown. But I feel badly for saying that…

    As movies go, this was probably a great book. “Based on” the Timothy Susanin book of the same name, this is one of those pictures that is more like a dramatization of the source material; it feels like someone mapped out each page of the text and presented it verbatim. When something is that closely linked to the source, I often wonder why they bothered. (Yes, Zack Snyder, I’m talking directly to you…)

    The story is fantastic, of course. The tale of Walt’s early years is a great one, and it hasn’t really been told on screen before. So they had to make this picture. But it could have used a bit more creative license. At 110 minutes, it’s a long yarn, particularly because it feels somewhat repetitive. Walt was a man who failed twice in spectacular fashion in two different cities with the same staff. I know that’s what really happened, but it does feel somewhat redundant in the way it’s presented. Too many of the same beats are repeated.

    Walt Before Mickey

    It’s all just very workman-like. There’s a low-budget veneer to everything that makes it feel more like a TV movie than a feature. It’s also somewhat clunky – the dialogue is stilted and the actors aren’t agile enough to make anything more of it. But that’s not meant to be an insult to the actors or the filmmakers; there are some fine performances in here and the production design is good. The period authenticity is excellent and there are a few interesting visual shots and motifs (like Walt befriending a mouse) that hint at a more subtle, nuanced picture that this could have become and would have better suited the story.

    In the end, the failing of the film, if such it be, is that it is sort of an inverse example of the little things that come together to make a good picture. Instead of a bunch of serendipitous little moments coming together to make something work, Walt Before Mickey has a combination of weaker factors that just make it less than the sum of its parts. It doesn’t look very good – the camera work is too static and there’s too much color timing; there’s no pacing – it’s just one thing happening after another without connective tissue or a broader tone; a few of the leads, most notably the Disney brothers are miscast – it’s not bad acting, there’s just something a little off. I know what it is – Nichols is all tell and not show; he keeps telling you how badly he wants to succeed, but you don’t really see it. The concept of Walt as a dreamer is lost once the character grows up and Nichols takes over; he just doesn’t believably convey the drive and ambition that made his eventual success nearly inevitable.

    Walt Before Mickey

    I thought a few of the performances were quite good; Armando Gutierrez (who also co-wrote and co-produced) is solid as visionary Ub Iwerks, and fellow animators Rudy Ising (played by David Henrie) and Taylor Gray as Friz Freleng hint at a more interesting workplace comedy. But the antagonists are all such mustache-twirling caricatures that it’s hard to be invested in the picture.

    Side note: the amount of smoking in this film is more than anything I’ve seen outside of a gangster picture. Not a criticism, just an observation…Oh, and Bucky “F’n” Dent has a cameo in this movie!

    I wanted to like Walt Before Mickey, and I certainly didn’t hate it. It merely represents a missed opportunity. I’d still recommend it as an illustration of an interesting chapter in the life of an icon and a story that’s probably less well known than it should be. There are the bones here for a better film, and though Walt Before Mickey underwhelms, it does tell the tale of Disney’s beginnings and is worth a watch.

    Poster:

    Trailer:

    Bechdel Test:

    Fail

    The Representation Test Score: C (6 pts)

    (http://therepresentationproject.org/grading-hollywood-the-representation-test/)

    Walt Before Mickey Representation Test
    [schema type=”movie” url=”www.waltbeforemickey.com” name=”Walt Before Mickey” description=”Walt Before Mickey is an independent 2015 biographical drama film about the early years of Walt Disney and the book Walt Before Mickey: Disney’s Early Years, 1919–1928 by Timothy S. Susanin. The film stars Thomas Ian Nicholas as Walt Disney, Armando Gutierrez as Ub Iwerks, and Jon Heder as Roy Disney. The film is based on the book of the same title by Timothy Susanin, with a foreword by Diane Disney Miller published by the University Press of Mississippi.

    The film covers Walt Disney’s early years in business, during which he started various businesses including Laugh-O-Gram Studio and The Walt Disney Company with fellow animator Ub Iwerks and Roy Disney.” director=”Khoa Le” actor_1=”Thomas Ian Nichols” ]

    Main Cast Jodie Sweetin Charlotte Disney
    Jon Heder Roy Disney
    David Henrie Rudy Ising
    Jeremy Palko Older Walt Pfeiffer
    Rating PG
    Release Date Fri 14 Aug 2015 UTC
    Director Khoa Le
    Genres Biography, Drama
    Plot Based on the book “Walt Before Mickey” covers the early years of Walt Disney’s career.
    Poster Walt Before Mickey
    Runtime 120
    Tagline
    Writers Arthur L. Bernstein (written by) &, Armando Gutierrez (written by) …
    Year 2015
  • The Hand Behind The Mouse: The Ub Iwerks Story (1999)

    The Hand Behind The Mouse: The Ub Iwerks Story (1999)

    140 Character Movie Review – #140RVW

    One of the greatest stories seldom told, required viewing for fans of Disney, animation and filmmaking. Underappreciated genius no more…

    The Hand Behind the Mouse

    Spoiler-free Movie Review of The Hand Behind The Mouse: The Ub Iwerks Story:

    Written and directed by documentarian Leslie Iwerks, granddaughter of the groundbreaking filmmaker, The Hand Behind The Mouse is clearly a labor of love. One can imagine why Ub’s family might hope to reflect a little of Walt Disney’s spotlight back on his less famous partner, but all of the individuals interviewed seem simply overjoyed to have the opportunity to pay their respects to the man. It seems that this piece is long overdue – the principals involved are so eager for everyone to know Ub’s marvelous story and his place in cinema history.

    The Hand Behind the Mouse

    Produced in 1999, The Hand Behind The Mouse was the first feature documentary from Iwerks and was later included on DVD in the 2007 Walt Disney Treasures: The Adventures of Oswald the Lucky Rabbit DVD set. A book of the same name by Iwerks and John Kenworthy was released in 2001.

    The Hand Behind the Mouse

    The story of Ub Iwerks is so closely intertwined with that of fellow Missouri native Walt Elias Disney that it is rather remarkable that it isn’t common knowledge. Theirs was one of those lightning in a bottle partnerships that are such a fascinating part of the human experience. They quite truly completed each other as well as complementing each other. I’m sure both men could have made contributions to the world without each other – they were both geniuses after all – but nothing like the output and impact achieved by their pairing.

    The Hand Behind the Mouse

    The story seems destined for a biopic akin to Saving Mr. Banks. The 2015 film Walt Before Mickey also covers some of this ground; it’s my next review.

    The film itself is very well made. It looks dated in a way you might not expect from a 1999 picture, but that is simply a reflection of the huge strides in production values that have come in recent years.

    The Hand Behind the Mouse

    Narrated by Kelsey Grammer, the doc is packed with a who’s who of animation legends, all very happy to acknowledge the art form’s debt to Iwerks. It’s filled with lots of rare clips of Ub’s work that would make it worthwhile even without the interesting narrative.

    The Hand Behind the Mouse

    I loved this film. Oswald the Lucky Rabbit is my favorite animated character, and I thought I knew the story of the man behind Oswald and Mickey, but there is so much more to Ub Iwerks. It is impossible to overstate his importance not only to animation, but to film itself. This is a man who not only created the most iconic cartoon character of all time, he created a visual style that essentially defined the medium and brought it to the mainstream. His studio launched the careers of many luminaries and inspired many more. When he felt he had mastered cartooning, he turned to groundbreaking effects work in live-action. He even designed many of the effects at Disneyland. He designed the multi-plane camera and the technique for animation/live action traveling mattes. The man was a genius.

    The Hand Behind the Mouse

    Rather than go on and on about the man’s accomplishments, I’d recommend you make time to watch The Hand Behind the Mouse: The Ub Iwerks Story. Since it’s a little harder to find, I’m including a link here.

    Better yet, start by just watching some of Ub’s most famous works:

    The first Mickey cartoon: Plane Crazy (1928)

    Steamboat Willie (1928 – first fully synchronized sound cartoon)

    Silly Symphonies: The Skeleton Dance

    Poster:

    The Hand Behind the Mouse

    Trailer:

    Bechdel Test:

    n/a

    The Representation Test Score: n/a

    [schema type=”movie” url=”https://www.disneymoviesanywhere.com/movie/hand-behind-the-mouse-the-ub-iwerks-story” name=”The Hand Behind the Mouse: The Ub Iwerks Story” description=”Ub Iwerks was considered by many to be Walt Disney’s oldest friend, and spent most of his career with Disney. The two met in 1919 while working for the Pesmen-Rubin Art Studio in Kansas City. ‘Hand Behind The Mouse’ is the story of Ub Iwerks and his contributions to Disney and to animation. Narrated by Kelsey Grammer and written and produced by his daughter, Leslie Iwerks. The Documentary is a loving and insightful look into the life of one of the great innovators and animators of our time, and the creator of the Mickey Mouse character.” director=”Leslie Iwerks” ]

    Main Cast Kelsey Grammer Himself/Narrator (voice)
    Mark Kausler Himself
    John Lasseter Himself
    Russell Merritt Himself
    Rating G
    Release Date Wed 17 Dec 2008 UTC
    Director Leslie Iwerks
    Genres Documentary
    Plot A documentary on the life of the under-appreciated animator Ub Iwerks, who played a major role in the creation of Mickey Mouse.
    Poster The Hand Behind the Mouse: The Ub Iwerks Story
    Runtime 90
    Tagline
    Writers Leslie Iwerks (written by)
    Year 1999
  • Now Very Bad’s 2016 Oscar Predictions…

    Now Very Bad’s 2016 Oscar Predictions…

    The Academy asked me to hold off on my predictions for the 2016 Academy Awards until tonight so I wouldn’t influence the voters. I understand. Frankly, I didn’t get to see a lot of the pictures yet, which makes me qualified to be an official Oscar voter. That plus the fact that I’m a white male…

    I’m not watching the Oscars tonight. I really enjoy the spectacle generally, but I am passing this time. I really feel the #OscarsSoWhite movement is an important one. I stand with Spike and Jada…

    Nevertheless, I am a huge movie fan. So I’m going to leave you with a few thoughts and 140 character reviews of some of the nominees. Some of these have links to my full review, but a bunch of them I’ve seen only within the past couple of weeks and haven’t reviewed yet. (I actually only saw The Revenant this morning, Ex Machina last night, Spotlight yesterday and The Big Short Friday night.)

    So now, without further ado, here are my thoughts for the February 28th telecast of the Oscars:

    Best Picture:

    Someone needs to explain to me this whole number of nominees thing. For years there were only five, which was too few. But instead of upping it to ten, they have this weird criteria. But they are allowed ten. So you should have ten. Every time. It’s totally inexcusable that Ex Machina and Chi-Raq weren’t included here, and there are other pictures that had deserved those extra slots. No, Chi-Raq isn’t on the face of it a “Best Picture”, but it’s unbelievably timely and unique. And Bridge of Spies, while excellent, is in no way on the same level of import as some of the others.

    If anything other than The Big Short wins, I’m calling shenanigans…

    140 Character Reviews:

    Bridge of Spies (2015): Exactly what it looks like. Maybe best example of a note-perfect film that no one in the world asked for. Talented people not exerting much.

    Brooklyn (2015): Yes, you’ve seen and read stories like this before. It isn’t unique. But there’s something to be said for doing something well, nay perfect.

    Mad Max: Fury Road (2015): Original filmmaker Miller returns to his most famous (human) character with intense, unrelenting, disturbing & completely nuts thrill ride.

    Room (2015): I’m sorry. I just ran out of time. I really do want to see this. It looks great, and Brie Larson is sure to win without my help…

    Spotlight (2015): Less about church scandal than power and vitality of journalism. Wonderfully executed with few factual missteps; but some are pretty bad…

    The Big Short (2015): One of single best examples of masterful adaptation of a difficult subject matter. The book is excellent, but the film is truly sublime…

    The Martian (2015): If you haven’t read the book, you’ll love it almost without qualification. If you have, it can never be as satisfying, but it’s still great.

    The Revenant (2015): Fantastic if your idea of good time is watching people eat raw meat & get violently & graphically maimed. Gorgeous achievement but overlong.

    Nominees for other awards:

    140 Character Reviews:

    Ex Machina (2015): This is EXACTLY what great science fiction looks like. AI is our future; more stories coming. Superbly written, acted & paced. Masterpiece.

    Straight Outta Compton (2015): More than a simple biopic, time capsule of tumultuous age. Missing some important players, still mostly candid/truthful. Punches own weight.

    The 100-Year-Old Man Who Climbed Out the Window and Disappeared (2013 – US 2015): Lovely, funny adaptation of quirky Swedish novel. Hints of Being There/Forrest Gump in no way detract from triumph. Full of fun characters.

    Inside Out (2015): Typical Pixar magic from co-director Pete Docter w/ great emotional stuff leading to leaky eyes & lots of laughs. So why didn’t it grab me?

    Star Wars: Episode VII – The Force Awakens (2015): No surprise that House of Mouse would give fans EXACTLY what they clamored for. Careful what you wish for. Equal parts great & derivative…

    Cinderella (2015): Typically well-made live-action update of classic fairy tale is aggressively ok. Far too long for little ones to sit still – parents, too…

    Should Be Here / Robbed:

    Jason Mitchell’s performance as Eric “Eazy-E” Wright in Straight Outta Compton was noteworthy and probably should have earned him a nod…

    Chi-Raq is the most important film that came out last year. Yes, it’s a bit of a mixed bag, but it deserves to be part of the national conversation…

    Ian McKellen was absolutely robbed of a nomination…

    140 Character Reviews:

    Chi-Raq (2015): Spike’s latest joint is his most important & timely ever; high praise indeed considering his previous work. #MostImportantAmericanFilmmaker

    Mr. Holmes (2015): Unsurprisingly brilliant performance by the always dependable Ian McKellen as the world’s first private consulting detective, now retired…

  • School Daze (1988)

    School Daze (1988)

    140 Character Movie Review – #140RVW

    Wow, that escalated quickly. By his 2nd film, Spike has completely arrived. Totally unique, polished filmmaking with surprising musicality.

    School Daze

    Spoiler-free Movie Review of School Daze:

    School Daze is fairly straightforward, dare I say traditional, filmmaking from Spike Lee. The narrative is completely direct and the structure and archetypes are completely familiar. If you’ve seen a college movie like Animal House or Revenge of the Nerds, you will be at once at home in the setting.

    School Daze

    That doesn’t mean School Daze is not a unique film, of course. Lee takes the familiar setting and provides an insight into an experience and perspective that is unfamiliar to many. That’s what great filmmakers and storytellers do; they take a classic tale and put their own stamp upon it. While it is interesting as a white male to see more of the complexities of the disagreements between young African Americans at the fictional Mission College, it is a larger achievement to see the similarities. The same would be true if this film was showing what it is like to be at a music school or an all-Jewish school or a commuter school in the Australian outback. It’s fascinating to see the different issues unique to this group of individuals, it’s what gives a story its color, but ultimately, the more important point is our similarities, not our differences.

    School Daze

    Actually, while I didn’t attend a historically black school like Lee’s alma mater Morehouse, the real reason School Daze is such a different experience to mine is that I went to an urban state school with a large commuter base. We were never really isolated on a campus or filled with some central school spirit. While the entire premise of the film is how divided the campus is, everyone seems involved in everything. During the football scene, everyone at the school is there and invested in the game. I didn’t go to a college like that.

    The football scene is also clever in that they never once show the game, just the reactions of the fans. That’s old-school…

    School Daze

    The picture centers mostly around Larry (not yet going by Laurence) Fishburne as Vaughn “Dap” Dunlap, a senior student obsessed with getting the school administration to divest from South Africa in the days of apartheid. He has the conditional support of his friends and girlfriend, Rachel (Kyme), but they also want to concentrate on their studies and enjoying the college experience.

    Dap & Rachel’s antagonists are members of the Gamma Phi Gamma fraternity and female counterpart the Gamma Rays, led by Julian (Giancarlo Esposito) and Jane (Tisha Campbell), respectively. Straddling the divide is Dap’s cousin “Half-Pint” who is pledging Gamma.

    School Daze

    The main divide, though, is the conflict in the African-American community over self identity. Questions of hair styles, skin tone, appropriation of racial slurs – these issues are at the heart of self-image and identity, issues that are hugely important at any time of life, but integral to those of college age young people.

    Nowhere is this handled more impressively than in a show-stopping musical number “Straight and Nappy” (written by Bill Lee). The entire picture is musical, but handling complicated issues like self-discrimination in the form of a Busby Berkeley style musical number is absolutely sublime. The musical numbers are great; unorthodox in the subject matter, but completely traditional in most other ways. Spike is an admitted admirer of the Golden Age of Hollywood musicals, so the fact that School Daze plays it mostly straight really shouldn’t be all that surprising.

    School Daze

    School Daze is a fantastic picture. Anchored by great musical performances (except that dreadful dance tune “The Butt”; what the hell was that about?) and great acting, the whole film buzzes with the energy of a young visionary with something to say. The ending is unsatisfying, but I bet I would have loved it when I was an angry and passionate young man. Recommended.

    Poster:

    Trailer:

    Bechdel Test:

    Pass

    The Representation Test Score: B (10 pts)

    (http://therepresentationproject.org/grading-hollywood-the-representation-test/)

    School Daze Representation Test

    [schema type=”movie” url=”https://www.40acres.com/” name=”School Daze” description=”A not so popular young man wants to pledge to a popular fraternity at his historically black college.” director=”Spike Lee” producer=”Spike Lee” actor_1=”Laurence Fishburne” ]

    Main Cast Laurence Fishburne Dap
    Giancarlo Esposito Julian
    Tisha Campbell-Martin (as Tisha Campbell) Jane Toussaint
    Kyme Rachel Meadows
    Rating R
    Release Date Fri 12 Feb 1988 UTC
    Director Spike Lee
    Genres Comedy, Drama, Musical
    Plot A not so popular young man wants to pledge to a popular fraternity at his historically black college.
    Poster School Daze
    Runtime 121
    Tagline
    Writers Spike Lee (written by)
    Year 1988
  • She’s Gotta Have It (1986)

    She’s Gotta Have It (1986)

    140 Character Movie Review – #140RVW

    It’s been 30 years, but it took only 12 days & 175K for Spike to usher in the age of independent cinema. Edgy glimpse of what was to come…

    She's Gotta Have It

    Spoiler-free Movie Review of She’s Gotta Have It:

    Shot as quickly as possible, with no money for retakes, much less reshoots, She’s Gotta Have It is one of the first truly successful independent movies of the 1980’s, paving the way for the entire indie cinema boom.

    Spike Lee would soon become a household name, though recognition by the establishment would continue to elude him. (In 2015 he was finally given an honorary Academy Award, in no way making up for a career of Oscar snubs.)

    She's Gotta Have It

    From the very start, you can already see traces of the filmmaker Lee would become. The rhythm, the unique camera angles, the jump cut editing, the interposed still shots, the musical focus, the cutting dialogue – all of these are on display in She’s Gotta Have It.

    She's Gotta Have It

    The film stars a wonderfully unique film character: the self-assured, independent woman. Spike’s films haven’t always done right by women, which is puzzling as he has simultaneously written some particularly fine female characters. The lead of She’s Gotta Have It is a little of both.

    She's Gotta Have It

    Nola Darling (Tracy Camilla Johns) is a captivating and strong young woman, who doesn’t seek or require the approval or support of man nor woman. She has a career, a gorgeous loft apartment, a secure self-image and a healthy sexual appetite. Not content with one lover, she maintains relationships with three men, all of whom she views as friends – not understanding why they feel like rivals.

    She's Gotta Have It

    The acting is great, particularly when you consider it is all performed in one take, since there wasn’t money to do more. The very existence of the film is an impressive achievement. (The film is a total family affair, with music by father Bill Lee and acting from sister Joie Lee.) Johns is perfectly cast, a true original voice for an original character. The supporting cast of her suitors is solid if filling archetypal roles. All of the roles are a bit underwritten, come to that.

    She's Gotta Have It

    The film takes on the broad structure of a documentary, with each character participating in on-screen interviews, interspersed with long scenes of traditional storytelling. The format works pretty well, even if it does suggest that this story is being taken a little more seriously than is strictly necessary.

    She's Gotta Have It

    The tagline for She’s Gotta Have It was “A seriously sexy comedy”. It’s that last word that doesn’t totally fit. There are funny moments in the film, to be sure, but I’d never classify it as a comedy. I suppose it sounds pompous to call it a drama, but really that’s what it is. In fact, the only real problem with the picture is a tone-deaf scene of violence at the end of the second act. It’s totally out of place and an acknowledged wrong step by Lee.

    She's Gotta Have It

    Even thought the film is a trim 88 minutes, it still feels a bit overlong. Many of the story beats are repetitive. It’s a minor complaint, though. The story provides a unique perspective on relationships, gender roles, societal views and a first look at some of the conflicts between African-Americans that would be explored so well in his subsequent pictures.

    She's Gotta Have It

    She’s Gotta Have It is a fine debut film. Like the visionary auteur at the helm, the film is a true original.

    Poster:

    Trailer:

    Bechdel Test:

    Pass

    The Representation Test Score: A (13 pts!)

    (http://therepresentationproject.org/grading-hollywood-the-representation-test/)

    She's Gotta Have It Representation Test
    [schema type=”movie” url=”www.40acres.com” name=”She’s Gotta Have It” description=”Nola Darling (Tracy Camilla Johns) is a young, attractive, sexually independent Brooklynite who juggles three suitors: the polite and well-meaning Jamie Overstreet (Tommy Redmond Hicks); the self-obsessed model Greer Childs (John Canada Terrell); and the immature, motor-mouthed Mars Blackmon (Spike Lee). Nola is attracted to the best in each of them, but refuses to commit to any of them, cherishing her personal freedom instead, while each man wants her for himself.” director=”Spike Lee” producer=”Spike Lee” actor_1=”Tracy Camilla Johns” ]

    Main Cast Tracy Camilla Johns Nola Darling
    Tommy Redmond Hicks Jamie Overstreet
    John Canada Terrell (as John Terrell) Greer Childs
    Spike Lee Mars Blackmon
    Rating R
    Release Date Fri 08 Aug 1986 UTC
    Director Spike Lee
    Genres Comedy, Romance
    Plot Story of a woman and her three lovers.
    Poster She's Gotta Have It
    Runtime 88
    Tagline A Seriously Sexy Comedy
    Writers Spike Lee
    Year 1986