Tag: 1986

  • She’s Gotta Have It (1986)

    She’s Gotta Have It (1986)

    140 Character Movie Review – #140RVW

    It’s been 30 years, but it took only 12 days & 175K for Spike to usher in the age of independent cinema. Edgy glimpse of what was to come…

    She's Gotta Have It

    Spoiler-free Movie Review of She’s Gotta Have It:

    Shot as quickly as possible, with no money for retakes, much less reshoots, She’s Gotta Have It is one of the first truly successful independent movies of the 1980’s, paving the way for the entire indie cinema boom.

    Spike Lee would soon become a household name, though recognition by the establishment would continue to elude him. (In 2015 he was finally given an honorary Academy Award, in no way making up for a career of Oscar snubs.)

    She's Gotta Have It

    From the very start, you can already see traces of the filmmaker Lee would become. The rhythm, the unique camera angles, the jump cut editing, the interposed still shots, the musical focus, the cutting dialogue – all of these are on display in She’s Gotta Have It.

    She's Gotta Have It

    The film stars a wonderfully unique film character: the self-assured, independent woman. Spike’s films haven’t always done right by women, which is puzzling as he has simultaneously written some particularly fine female characters. The lead of She’s Gotta Have It is a little of both.

    She's Gotta Have It

    Nola Darling (Tracy Camilla Johns) is a captivating and strong young woman, who doesn’t seek or require the approval or support of man nor woman. She has a career, a gorgeous loft apartment, a secure self-image and a healthy sexual appetite. Not content with one lover, she maintains relationships with three men, all of whom she views as friends – not understanding why they feel like rivals.

    She's Gotta Have It

    The acting is great, particularly when you consider it is all performed in one take, since there wasn’t money to do more. The very existence of the film is an impressive achievement. (The film is a total family affair, with music by father Bill Lee and acting from sister Joie Lee.) Johns is perfectly cast, a true original voice for an original character. The supporting cast of her suitors is solid if filling archetypal roles. All of the roles are a bit underwritten, come to that.

    She's Gotta Have It

    The film takes on the broad structure of a documentary, with each character participating in on-screen interviews, interspersed with long scenes of traditional storytelling. The format works pretty well, even if it does suggest that this story is being taken a little more seriously than is strictly necessary.

    She's Gotta Have It

    The tagline for She’s Gotta Have It was “A seriously sexy comedy”. It’s that last word that doesn’t totally fit. There are funny moments in the film, to be sure, but I’d never classify it as a comedy. I suppose it sounds pompous to call it a drama, but really that’s what it is. In fact, the only real problem with the picture is a tone-deaf scene of violence at the end of the second act. It’s totally out of place and an acknowledged wrong step by Lee.

    She's Gotta Have It

    Even thought the film is a trim 88 minutes, it still feels a bit overlong. Many of the story beats are repetitive. It’s a minor complaint, though. The story provides a unique perspective on relationships, gender roles, societal views and a first look at some of the conflicts between African-Americans that would be explored so well in his subsequent pictures.

    She's Gotta Have It

    She’s Gotta Have It is a fine debut film. Like the visionary auteur at the helm, the film is a true original.

    Poster:

    Trailer:

    Bechdel Test:

    Pass

    The Representation Test Score: A (13 pts!)

    (http://therepresentationproject.org/grading-hollywood-the-representation-test/)

    She's Gotta Have It Representation Test
    [schema type=”movie” url=”www.40acres.com” name=”She’s Gotta Have It” description=”Nola Darling (Tracy Camilla Johns) is a young, attractive, sexually independent Brooklynite who juggles three suitors: the polite and well-meaning Jamie Overstreet (Tommy Redmond Hicks); the self-obsessed model Greer Childs (John Canada Terrell); and the immature, motor-mouthed Mars Blackmon (Spike Lee). Nola is attracted to the best in each of them, but refuses to commit to any of them, cherishing her personal freedom instead, while each man wants her for himself.” director=”Spike Lee” producer=”Spike Lee” actor_1=”Tracy Camilla Johns” ]

    Main Cast Tracy Camilla Johns Nola Darling
    Tommy Redmond Hicks Jamie Overstreet
    John Canada Terrell (as John Terrell) Greer Childs
    Spike Lee Mars Blackmon
    Rating R
    Release Date Fri 08 Aug 1986 UTC
    Director Spike Lee
    Genres Comedy, Romance
    Plot Story of a woman and her three lovers.
    Poster She's Gotta Have It
    Runtime 88
    Tagline A Seriously Sexy Comedy
    Writers Spike Lee
    Year 1986
  • Ferris Bueller’s Day Off (1986)

    Ferris Bueller’s Day Off (1986)

    140 Character Movie Review – #140RVW

    It’s the 100th anniversary of the opening of Wrigley Field, but I’ve already reviewed a lot of Cubs films. This has the one great Cub scene.

    Ferris Bueller's Day Off

    Spoiler-free Movie Review of Ferris Bueller’s Day Off:

    The rare movie that is exactly as good as its reputation, Ferris Bueller’s Day Off is one of John Hughes’ most beloved films for good reason. Yes, the actors are far too old to be playing high school students. That’s it. That’s my criticism.

    Ferris Bueller's Day Off

    It’s just a hell of a good time. Not as insightful or meaningful as his other teen comedies, it’s a much more straightforward ride. And there’s nothing in the world wrong with that.

    Ferris Bueller's Day Off

    As is typical in his films, the teens have all the great lines, and the adults are a bit underwritten, but that’s not really a problem for this story. Hughes wrote the screenplay in less than a week!

    Ferris Bueller's Day Off

    Matthew Broderick is ridiculously charming in what would have been a star-making role – if he wasn’t already a star. As Cameron, Alan Ruck is absolutely fabulous in what was only his third film. The two have a easy-going camaraderie made believable by their previous experience working together on Broadway. Mia Sara completes the trio capably as Ferris’ girlfriend Sloane. Would their roles have been better filled out by alternate choices Emilio Estevez and Molly Ringwald? I don’t think so.

    Ferris Bueller's Day Off

    The supporting cast is excellent, led by Jeffrey Jones as the Dean of Students. Jennifer Grey & Charlie Sheen are good, but no one approaches Ben Stein’s economics teacher.

    Ferris Bueller's Day Off

    There are so many quintessential Chicago scenes. The film really is Hughes’ love letter to his city. It’s great when a filmmaker lets their obvious love for a place so deeply saturate their art.

    Ferris Bueller's Day Off

    Alright, that’s enough. Go watch it again – you know it’s been too long. Enjoy Ferris breaking the fourth wall and reacquaint yourself with quotes you’ve known for so long you forgot they were quotes. #SaveFerris

    Poster:

    Trailer:

    Bechdel Test:

    Pass

    The Representation Test Score: C (6 pts)

    (http://therepresentationproject.org/grading-hollywood-the-representation-test/)

    Representation Test

    [schema type=”movie” name=”Ferris Bueller’s Day Off” description=”A high school wise guy is determined to have a day off from school, despite of what the principal thinks of that.” director=”John Hughes” actor_1=”Matthew Broderick” actor_2=”Alan Ruck” actor_3=”Mia Sara”]

    Main Cast Matthew Broderick Ferris Bueller, Alan Ruck Cameron Frye, Mia Sara Sloane Peterson, Jeffrey Jones Ed Rooney
    Rating PG-13
    Release Date Wed 11 Jun 1986 UTC
    Director John Hughes
    Genres Comedy, Drama
    Plot A high school wise guy is determined to have a day off from school, despite of what the principal thinks of that.
    Poster Ferris Bueller's Day Off
    Runtime 103
    Tagline While the rest of us were just thinking about it…Ferris borrowed a Ferrari and did it…all in a day.
    Writers John Hughes (written by)
    Year 1986
  • Pretty in Pink (1986)

    Pretty in Pink (1986)

    140 Character Movie Review – #140RVW

    Pretty in Pink (1986)

    Ringwald turns in her finest work in her last John Hughes Joint. Wish I saw it in the day; not quite as effective now. Duckie got jobbed…

    Pretty In Pink

    Spoiler-free Movie Review of Pretty in Pink:

    Amazingly I never saw this back in the day, so I can’t feel the same way about it that I do about some of the other John Hughes films. Written but not directed by Hughes (like a number of his films), it’s great stuff, but I kind of think you had to be there. I can’t imagine this playing for anyone who wasn’t a teenager in the 80’s.

    Pretty In Pink

    The original story is based on archetypes so old that its classic structure feels like a Shakespearean comedy. I actually kept trying to remember which play this was based on; that’s a compliment. Romantic triangle enhanced with rich guy poor girl dynamic.

    Casting is typically very good, with Molly Ringwald providing her best performance in her final Hughes film. Jon Cryer is annoyingly cute as Duckie, although I’m sure I would have loved it in 1986 – good job. Can’t imagine Anthony Michael Hall or Robert Downey Jr. in this role (both were considered). Annie Potts is funny but over the top, Andrew McCarthy is a featureless glass of milk, and James Spader made me want to climb through the screen and grab something heavy – but that was the point, I guess. I think it’s terribly appropriate that Spader’s name actually contains the name of a tool…

    Pretty In Pink

    Ending (Spoilers): The original ending saw Andie choosing Duckie over Blane. (They had to reshoot because test audiences weren’t happy; don’t get me started on test screenings.) I don’t know if that would have been the right choice; I think so. Would have been better than going with “a major appliance”. Really I don’t think she should have ended up with either of them. Blane’s a tool and Duckie is cemented in the friend zone. Maybe she should have taken a chance with Gina Gershon’s character. Ah, who am I kidding – no one is good enough for Molly Ringwald – I love you, Molly!

    Trailer:

    Bechdel Test:

    Pass

    Main Cast Molly Ringwald Andie Walsh, Jon Cryer Duckie (Phil Dale), Harry Dean Stanton Jack Walsh, Annie Potts Iona
    Rating PG-13
    Release Date Fri 28 Feb 1986 UTC
    Director Howard Deutch
    Genres Comedy, Drama, Romance
    Plot A poor girl must choose between the affections of her doting childhood sweetheart and a rich but sensitive playboy.
    Poster Pretty in Pink
    Runtime 96
    Tagline He’s good. She’s good. He’s just Duckie.
    Writers John Hughes (written by)
    Year 1986
  • Stand By Me (1986)

    Stand By Me (1986)

    #140RVW

    EXACTLY as good as you remember it being. Probably more affecting if like me, you were close to the characters’ age when you first saw it…

    Stand By Me

    What’s more:

    A mostly faithful adaptation of Stephen King’s novella “The Body”, Stand By Me  was a sleeper hit when it came out in 1986. They were fortunate to even get the movie made, as it had financing trouble. No one expected it to be a success. What were people not seeing in this picture? A coming of age movie based on a story by the most popular author alive? How could this NOT have been a hit?

    Stand By Me

    Well, hindsight and all that. The fact is that Rob Reiner hadn’t yet become a bankable director and while all of these child actors were full of promise, many careers don’t pan out. In truth, the casting of Wil Wheaton, River Phoenix, Corey Feldman and Jerry O’Connell was inspired and is almost entirely the reason the film became an instant classic.

    Stand By Me

    The movie is set in 1959, but it would be engaging set at just about any time. The nostalgia is great and the setting certainly makes the story work very well, but the core issues of friendship, growing up, finding your place, grief, loss – these are what make this film so engaging and keep it fresh to people of any age or background.

    Stand By Me

    Enough cannot be said about the dialogue. King is a great writer in large part because he creates believable dialogue for real people, and screenwriters Raynold Gideon & Bruce A. Evans wisely import entire exchanges from the book even as they add their own touches in the same spirit.  The banter between the boys on this trip will be instantly familiar to most people, enough so that it seems as if the writers were listening in on your conversations as you wandered around town with your friends.

    Stand By Me

    Occasionally the exchanges can seem a bit adult, the insights from characters Chris Chambers and Gordie Lachance rather sophisticated. But the acting by River Phoenix & Wil Wheaton, respectively, sells it. Some kids are wise beyond their years, and some actors possess talents surpassing their experience. Feldman and O’Connell (in his first role) are really very good, as well, but it is no slander to say that they are bit players next to Phoenix & Wheaton.

    Stand By Me

    Interesting choice to move the story (and filming) from Castle Rock, Maine to Oregon. The scenery is great and the photography is very good, if a bit too soft for me. It’s so intentionally made to seem nostalgic and timeless that it’s a little over-the-top, but certainly achieves the look they were going for.

    Stand By Me

    Reiner really did a marvelous job; this is a tremendous film.

    Poster:

    Trailer:

    Bechdel Test:

    Fail

    Main Cast Wil Wheaton Gordie Lachance, River Phoenix Chris Chambers, Corey Feldman Teddy Duchamp, Jerry O’Connell Vern Tessio
    Rating R
    Release Date Fri 08 Aug 1986 UTC
    Director Rob Reiner
    Genres Adventure, Drama
    Plot After the death of a friend, a writer recounts a boyhood journey to find the body of a missing boy.
    Poster Stand by Me
    Runtime 89
    Tagline For some, it’s the last real taste of innocence, and the first real taste of life. But for everyone, it’s the time that memories are made of.
    Writers Stephen King (novel), Raynold Gideon (screenplay) …
    Year 1986
  • #140RVW: The Adventures of Milo and Otis “Koneko monogatari” (1986)

    #140RVW: The Adventures of Milo and Otis “Koneko monogatari” (1986)

    Japanese import cute as anything, even with Dudley Moore narrating. Amazing technical skill involved in 4-year project. Hope animals safe…

    Milo and Otis

    Poster:

    Trailer: