Tag: 1988

  • School Daze (1988)

    School Daze (1988)

    140 Character Movie Review – #140RVW

    Wow, that escalated quickly. By his 2nd film, Spike has completely arrived. Totally unique, polished filmmaking with surprising musicality.

    School Daze

    Spoiler-free Movie Review of School Daze:

    School Daze is fairly straightforward, dare I say traditional, filmmaking from Spike Lee. The narrative is completely direct and the structure and archetypes are completely familiar. If you’ve seen a college movie like Animal House or Revenge of the Nerds, you will be at once at home in the setting.

    School Daze

    That doesn’t mean School Daze is not a unique film, of course. Lee takes the familiar setting and provides an insight into an experience and perspective that is unfamiliar to many. That’s what great filmmakers and storytellers do; they take a classic tale and put their own stamp upon it. While it is interesting as a white male to see more of the complexities of the disagreements between young African Americans at the fictional Mission College, it is a larger achievement to see the similarities. The same would be true if this film was showing what it is like to be at a music school or an all-Jewish school or a commuter school in the Australian outback. It’s fascinating to see the different issues unique to this group of individuals, it’s what gives a story its color, but ultimately, the more important point is our similarities, not our differences.

    School Daze

    Actually, while I didn’t attend a historically black school like Lee’s alma mater Morehouse, the real reason School Daze is such a different experience to mine is that I went to an urban state school with a large commuter base. We were never really isolated on a campus or filled with some central school spirit. While the entire premise of the film is how divided the campus is, everyone seems involved in everything. During the football scene, everyone at the school is there and invested in the game. I didn’t go to a college like that.

    The football scene is also clever in that they never once show the game, just the reactions of the fans. That’s old-school…

    School Daze

    The picture centers mostly around Larry (not yet going by Laurence) Fishburne as Vaughn “Dap” Dunlap, a senior student obsessed with getting the school administration to divest from South Africa in the days of apartheid. He has the conditional support of his friends and girlfriend, Rachel (Kyme), but they also want to concentrate on their studies and enjoying the college experience.

    Dap & Rachel’s antagonists are members of the Gamma Phi Gamma fraternity and female counterpart the Gamma Rays, led by Julian (Giancarlo Esposito) and Jane (Tisha Campbell), respectively. Straddling the divide is Dap’s cousin “Half-Pint” who is pledging Gamma.

    School Daze

    The main divide, though, is the conflict in the African-American community over self identity. Questions of hair styles, skin tone, appropriation of racial slurs – these issues are at the heart of self-image and identity, issues that are hugely important at any time of life, but integral to those of college age young people.

    Nowhere is this handled more impressively than in a show-stopping musical number “Straight and Nappy” (written by Bill Lee). The entire picture is musical, but handling complicated issues like self-discrimination in the form of a Busby Berkeley style musical number is absolutely sublime. The musical numbers are great; unorthodox in the subject matter, but completely traditional in most other ways. Spike is an admitted admirer of the Golden Age of Hollywood musicals, so the fact that School Daze plays it mostly straight really shouldn’t be all that surprising.

    School Daze

    School Daze is a fantastic picture. Anchored by great musical performances (except that dreadful dance tune “The Butt”; what the hell was that about?) and great acting, the whole film buzzes with the energy of a young visionary with something to say. The ending is unsatisfying, but I bet I would have loved it when I was an angry and passionate young man. Recommended.

    Poster:

    Trailer:

    Bechdel Test:

    Pass

    The Representation Test Score: B (10 pts)

    (http://therepresentationproject.org/grading-hollywood-the-representation-test/)

    School Daze Representation Test

    [schema type=”movie” url=”https://www.40acres.com/” name=”School Daze” description=”A not so popular young man wants to pledge to a popular fraternity at his historically black college.” director=”Spike Lee” producer=”Spike Lee” actor_1=”Laurence Fishburne” ]

    Main Cast Laurence Fishburne Dap
    Giancarlo Esposito Julian
    Tisha Campbell-Martin (as Tisha Campbell) Jane Toussaint
    Kyme Rachel Meadows
    Rating R
    Release Date Fri 12 Feb 1988 UTC
    Director Spike Lee
    Genres Comedy, Drama, Musical
    Plot A not so popular young man wants to pledge to a popular fraternity at his historically black college.
    Poster School Daze
    Runtime 121
    Tagline
    Writers Spike Lee (written by)
    Year 1988
  • My Neighbor Totoro “Tonari no Totoro” (1988)

    My Neighbor Totoro “Tonari no Totoro” (1988)

    #140RVW

    Miyazaki-san writes & directs an instant classic. His 4th picture is an as good as it gets child’s view of the world & its wonders. #catbus

    宮崎さんは書いていると、インスタント古典的に指示します。それは、世界及びその驚異の子のビューを取得するように、彼の第四絵は良いです。 #のネコバス

    My Neighbor Totoro

    What’s more:

    My Neighbor Totoro became my favorite of Miyazaki’s features before I was halfway through the film. (Since I’m not always as brazenly enthusiastic about his films as my daughter, she warned me prior to watching that we would need to divide the house if I didn’t love this one. I swear that didn’t affect my judgment, though…)

    My Neighbor Totoro

    People everywhere love Totoro and it’s easy to understand why. Even by the standards of Miyazaki, who has a well-deserved reputation for understanding the way children think and putting it on screen, Totoro has a child-like glee to it.

    My Neighbor Totoro

    The man just seems to understand kids and their unique outlook on the world.

    My Neighbor Totoro

    It was very interesting watching this 1988 86-minute film so soon after seeing his latest, 2013’s two-plus hour The Wind Rises. While I maintain my belief that his latest is the best of his works, I really loved My Neighbor Totoro for almost entirely different reasons.

    My Neighbor Totoro

    Where in some of his other films, such as Ponyo & Spirited Away, I felt the strangeness of the worlds detracted from the narrative, Totoro has a straightforward story that is only enhanced by the otherworldly components.

    My Neighbor Totoro

    This is a truly entertaining tale; if you removed Totoro and the Catbus and the Sootsprites it would still be a very good movie. The emotions and behaviors of the children is so authentic and tone perfect that you welcome the other characters – but you don’t need them. The children are driving the (cat)bus…

    Taken from tumblr somewhere

    Poster:

    Trailer:

    Bechdel Test:

    Pass

    The Representation Test Score: A (14 pts)

    (http://therepresentationproject.org/grading-hollywood-the-representation-test/)

    Representation Test

    Main Cast Hitoshi Takagi Totoro (voice), Noriko Hidaka Satsuki (voice), Toshiyuki Amagasa Kanta (voice), Paul Butcher Kanta (voice: English version)
    Rating G
    Release Date Sat 16 Apr 1988 UTC
    Director Hayao Miyazaki
    Genres Animation, Drama, Family, Fantasy
    Plot When two girls move to the country to be near their ailing mother, they have adventures with the wonderous forest spirits who live nearby.
    Poster My Neighbor Totoro
    Runtime 86
    Tagline
    Writers Hayao Miyazaki (written by)
    Year 1988
  • Little Nikita (1988)

    Little Nikita (1988)

    #140RVW

    Indifferent spy movie which stars River Phoenix & Sidney Poitier and still isn’t any good. Not bad, just uninspired & poorly thought out…

    Little Nikita

    What’s more:

    Usually when you watch old 1980’s movies you see a bunch of people you recognize. This movie is practically unique in how few familiar faces there are. After Phoenix & Poitier, Richard Jenkins is the only person you’re likely to have ever seen before. And that makes sense when you realize how little there is going on here.

    It might be stretching it a bit to call any movie with Sidney Poitier & River Phoenix underpowered, but this really does feel kind of thrown together. I’m more than a little surprised that this was a project that either of them wanted to do.

    Little Nikita

    At first glance, it’s very promising: kid thinks he’s leading normal life until he is told that his parents are sleeper agents for the USSR. Not bad, even if in 1988 it was right on the edge of being out of date.

    The trouble is that the premise that brings them out of hiding is threadbare (spy is killing sleeper agents until the Russians give him money?) and the Poitier character’s actions seem really unusual. We get that he’s looking for this one Russian spook who killed his partner (20 years ago!) but why is he working alone and what exactly is his job? He’s sorting through Air Force Academy applications and then he’s stalking a teenaged boy and asking him to spy on his parents – to what end? It’s all a bit confusing, but it doesn’t matter because you won’t really care.

    Little Nikita

    If that sounds harsh, it’s not meant to be. True, Little Nikita is not a good spy movie and in fact it’s not a very good movie at all. But it features two amazing actors (even if both are mugging furiously in this one) and was entertaining for an hour and a half and there are worse things to be.

    Poster:

    Trailer:

    Bechdel Test:

    Fail

    Main Cast Sidney Poitier Roy Parmenter, River Phoenix Jeff Grant, Richard Jenkins Richard Grant, Caroline Kava Elizabeth Grant
    Rating PG
    Release Date Fri 18 Mar 1988 UTC
    Director Richard Benjamin
    Genres Drama, Thriller
    Plot An FBI agent works to uncover an All-American family as Soviet sleeper agents and gets caught up in friendship with their unaware son.
    Poster Little Nikita
    Runtime 98
    Tagline He went to bed an all-American kid and woke up the son of Russian spies.
    Writers John Hill (screenplay) and, Bo Goldman (screenplay) …
    Year 1988
  • Coming to America (1988)

    Coming to America (1988)

    #140RVW

    In 1988, Murphy was so dominant he must have felt he needed to take on multiple roles just to keep life interesting. Wrong, but movie great.

    Coming to America

    What’s more:

    coming_to_america_still4

    It’s sort of a vanity piece, as Eddie & Arsenio play all sorts of roles with increasingly ridiculous makeup. That’s their right, of course, but most of the characters are really just distracting and stupid. (Except for Randy “Sexual Chocolate” Watson, of course.)

    It’s an 80’s John Landis movie, through and through. Nothing wrong with that. It’s funny as hell.

    Coming to America

    Poster:

    Trailer:

    Bechdel Test:

    FAIL

  • Young Guns (1988)

    Young Guns (1988)

    #140RVW

    Almost exactly average. If they’d just filmed it like a normal western instead of trying to make it music video-y it may have become more…

    Young Guns

    What’s more:

    Sort of covered this with my review of the sequel. (Young Guns II) “Virtually all of the criticisms of it are valid; it definitely had that MTV-style over substance thing going on and the actors looked like little boys playing cowboys & indians. (Actually, in hindsight this may have been ahead of its time a little on the use of music video styling in filmmaking.)”

    “But for all that, I liked it. While not probably expected to be a beacon of historical accuracy, it was probably more on the money than any other film on the Kid, and certainly takes the subject matter seriously. There are lots of fun little moments, particularly early on with Terrance Stamp. The brat pack of young actors actually handle themselves well and the biggest problem with the movie frankly is it’s so Hollywood. It feels like the big production that it is and subtlety is out the window.”

    Young Guns

    Other than that, I’d just like to say that Jack Palance is almost always a subtraction by addition kind of actor, and this is no exception. Also that I can’t watch or even think about this movie without remembering the Dennis Miller bit where he refers to the movie as the one where everyone in it is Martin Sheen’s son but none of them have his name. “Charlie Sheen, Emilio Estevez Sheen, Lou Diamond Philips Sheen…”

    Poster:

    Trailer: