Tag: fanedit

  • Star Wars: 30’s Serial Edition (2008)

    Star Wars: 30’s Serial Edition (2008)

    140 Character Movie Review – #140RVW

    Would Star Wars really work as a silent film? Many always thought so. Now that The Man Behind The Mask has done it, fares pretty well…

    Star Wars 30's Serial Edition

    Spoiler-free Movie Review of Star Wars: 30’s Serial Edition:

    It’s long been maintained that the Star Wars films are so timeless, visual and universal that they don’t even need language. I know that my sister used to say that the movies would work just as well as silent films. Well, let’s see if she’s right…

    Because faneditor The Man Behind the Mask created silent, black and white versions of Episodes I-VI. Stripped of color, dialogue and sound effects, this is a very different way to experience the films.

    Not only has the presentation of the films been significantly altered, the movies themselves have been severely edited. Partly this is a function of the removal of spoken dialogue; with old-fashioned titled cards simply recapping the action, most scenes don’t need to run anywhere near as long. But the editor has really run with this approach, taking the opportunity to strip most scenes to their basic essentials.

    Those title cards really strip the dialogue, for good and bad. Short statements replacing the audible mangling of the English language that the films (particularly the prequels) are often guilty of is mostly an improvement. The minimalist approach largely helps the story and removes the fluff. However, the wording on these cards is so sparse and clearly translated from another language that at times they read as too simplistic. Not a big issue, though, as the whole point is that you barely need to understand the language at all to follow these great stories.

    Star Wars 30's Serial Edition

    Removing the color from the films produces mixed results. Black and white masks some of the “fake” quality of the CG. But since the films were quite obviously meant to be in vivid color, the effect looks similarly unreal. It’s also very clean, which sort of breaks the metaphor of these being like old films…

    (Actually, I just found out that the editor created “dusty” versions of his edits, 4:3 cropped and looking beat up. It works much better.)

    So, does this approach work? Results may vary. Condensing the prequel films so much is probably extremely welcome for those who don’t really like those episodes. It’s effective even if you are a fan of all the pictures, just not quite as satisfying. They play as Reader’s Digest condensed versions of the stories.

    The biggest thing missing in these versions of the films is the sound. While the John Williams score is wonderful to hear in isolation, the 30’s Serial Edition certainly serves as a reminder of the importance of the Saga’s sound design. Not only are the award-winning sound effects sorely missed, their absence lessens some of the weight of the visual effects.

    Personally, while I really enjoyed Star Wars: 30’s Serial Edition, it comes off as more of a cool experiment than anything.

    Star Wars 30's Serial Edition

    For more:

  • Star Wars: Episode I.II – The Phantom Edit (2000)

    Star Wars: Episode I.II – The Phantom Edit (2000)

    140 Character Movie Review – #140RVW

    Needs to be judged for what it is: one of the first fan edits, based off of a VHS copy. Decent edit for the time that kicked off a movement.

    The Phantom Edit

    Spoiler-free Movie Review of Star Wars: Episode I.II – The Phantom Edit:

    Fanedits are great fun. While I truly venerate original works, I have always been fascinated by the classical music conept of “variations on a theme”. I love remixes, reimaginings, alternate versions – anything that takes an original idea and creatively adds something to it. The original work should always be kept intact – the idea isn’t to replace, merely to enhance. I may be a snob, but I’m not a purist; cover versions of songs are great.

    The Phantom Edit

    The Phantom Edit wasn’t the first fanedit, but it was probably the first to achieve a high degree of visibility. The story of a film professional re-editing the most hyped film in modern movie history spread around Web 1.0 at just the right time. It resonated with a lot of disappointed Star Wars fans who felt let down by Star Wars: Episode I – The Phantom Menace.

    As I’ve stated before, I am a fan of the prequels. I have a ton of problems with them, yes, but I’m still happy that Lucas made them. I liked The Phantom Menace then and I like it now. But yes, I appreciate and approve of the 20 minute haircut that the film gets here.

    The Phantom Edit_Poster-sm

    Episode I definitely needed some work, and without access to the source materials, there is a limit to what can be corrected. The major addition is subtraction; while certain Jar Jar antics and the midichlorian nonsense get the axe, most of the work is done with a scalpel. It’s trim work, not wholesale excising, and the pace is improved as a result. The edits are largely minor, a bit here and there, slimming down the narrative. But film is an artform of timing and beats, frames and pacing, and these things make a huge difference.

    I’ve seen edits of all of the films in the past 15 years that rival and surpass what The Phantom Editor (Mike J. Nichols) accomplished with only a VHS tape of the original film, but The Phantom Edit is still an impressive achievement.

    More info: http://fanedit.org/ifdb/component/content/article/79-fanedit-database/fanfix/238-star-wars-episode-1-1-the-phantom-edit