Author: mfordfeeney

  • Dolphin Tale (2011)

    Dolphin Tale (2011)

    140 Character Movie Review – #140RVW

    Exactly what it looks like: cute, family-friendly, inspirational, endearing & completely devoid of any sharp edges. Not a bad thing at all.

    Dolphin Tale

    Spoiler-free Movie Review of Dolphin Tale:

    What a cute movie. You know, sometimes a thing just is what it is – and that’s alright. This movie turned out to be every bit the sweet family fare that it teased. And there is nothing at all wrong with that.

    Dolphin Tale

    You can sort of tell just by the casting what kind of movie it’s going to be. Some of these actors just broadcast this vibe that there isn’t going to be any heavy lifting involved with what you’re about to see. The folksy compassion of Kris Kristofferson, the worldly (& folksy) wisdom of Morgan Freeman, the folksy wholesomeness of Ashley Judd, the jazzy wholesomeness of Harry Connick Jr. – it’s like the cast of a Lifetime special with more star power. But that’s alright; this isn’t the story for acting fireworks.

    Dolphin Tale

    And it is a great story. Based simultaneously tightly AND loosely on a real story. It’s sort of an interesting mix. The details about Winter are extremely accurate, while everything else is extremely fictional.

    Dolphin Tale

    The story of Winter, a dolphin stranded on a beach in Florida after being injured in a crab net, is an amazing one. This is a wonderful animal who was rescued by some brave and inventive people and it’s an inspirational story that you’d have to be made of stone not to warm to. The film features Winter in her home location at the Clearwater Marine Aquarium, and in the closing credits of the picture we get to see footage of the events just dramatized. Now, I’m tempted to say that it’s such a good story and the actual recordings are so captivating that a feature film is really unnecessary – that they should have just stuck with a documentary (of which there is one – Winter, the Dolphin That Can – http://www.seewinter.com/winter-hope/real-life-story).

    Dolphin Tale

    But that would be selling short the job that screenwriters Karen Janszen & Noam Dromi have done in creating a great dramatization that honors the inspirational effect Winter has had on many people. The story of overcoming physical trauma and the adversity it creates is meaningful on so many levels, and the screenwriters have used this as the basis for the film story, which draws parallels with our wounded soldiers. The story is more than a little bit melodramatic and could probably have used a haircut, but it is engaging and well-written.

    Dolphin Tale

    The picture is very well made – craftsman-like, but not showy. I’m not in love with the over-clean look of the film, but it suits the movie. DP Karl Walter Lindenlaub had to work with the ill-advised decision to shoot in native 3D – this picture never needed to be in 3D – and perhaps that led to the antiseptic image. More than anything, though, everything and everyone are just too tidy.

    Dolphin Tale

    Dolphin Tale is a heartwarming picture that can truly be inspirational if you watch it with the right audience and right mind frame. If not, it’s earnestness may seem saccharine. But it is a delight to watch with children and highly recommended.

    Poster:

    Trailer:

    Bechdel Test:

    Pass

    The Representation Test Score: A (11 pts)

    (http://therepresentationproject.org/grading-hollywood-the-representation-test/)

    Dolphin Tale Representation Test

    [schema type=”movie” url=”http://dolphintalemovie.warnerbros.com/dvd/index.html” name=”Dolphin Tale” description=””Dolphin Tale” is inspired by the amazing true story of a brave dolphin and the compassionate strangers who banded together to save her life. Swimming free, a young dolphin is caught in a crab trap, severely damaging her tail. She is rescued and transported to the Clearwater Marine Hospital, where she is named Winter. But her fight for survival has just begun. Without a tail, Winter’s prognosis is dire “Dolphin Tale,” today serves as a symbol of courage, perseverance and hope to millions of people-both able and disabled-who have been touched by her remarkable story of recovery and rehabilitation.” director=”Charles Martin Smith” actor_1=”Morgan Freeman” actor_2=”Ashley Judd” actor_3=”Harry Connick Jr.” actor_4=”Nathan Gamble” actor_5=”Cozi Zuehlsdorff” ]

    Main Cast Morgan Freeman Dr. Cameron McCarthy, Ashley Judd Lorraine Nelson, Harry Connick Jr. Dr. Clay Haskett, Nathan Gamble Sawyer Nelson
    Rating PG
    Release Date Fri 23 Sep 2011 UTC
    Director Charles Martin Smith
    Genres Drama, Family
    Plot A story centered on the friendship between a boy and a dolphin whose tail was lost in a crab trap.
    Poster Dolphin Tale
    Runtime 113
    Tagline Inspired by the amazing true story of Winter
    Writers Karen Janszen (written by) and, Noam Dromi (written by)
    Year 2011
  • Redshirts (2012)

    Redshirts (2012)

    Red Shirts
    Red Shirts by John Scalzi

    My rating: 4 of 5 stars

    You don’t need to be a Trekkie to be familiar with the “redshirt” phenomenon. During the three-year run of the original Star Trek tv series in the 1960’s, fans noticed a certain trend of crew members being briefly introduced and rapidly killed in bizarre ways whenever landing on some new planet. Whenever the anonymous characters beamed down with one or more of the main characters, you could practically hear the last grains of sand passing through their hourglasses. The writers seemed to have a passion for wiping out the crew around Kirk, Spock & Bones at a dramatic rate just to illustrate how perilous the missions were. In all, fans calculated that some 75% of the characters killed on the show were wearing red shirts, which is to say nothing of the other nameless crew members whose shirt color didn’t prevent them from suffering the same fate.

    John Scalzi’s Hugo Award winning novel Redshirts sends up this phenomenon in an amusing fashion, following a fresh new recruit, Ensign Andrew Dahl, who has just arrived on the flagship Enterp-sorry, Intrepid. A number of other new faces have been assigned to the Intrepid, which needs all the bodies it can get, since the ship keeps losing people on every away mission the crew undertake. Along with his fellow recruits, Dahl begins to recognize that anyone selected to participate in an away mission had better not start any long books. In fact, any team members on a mission with certain Senior Officers are dead crewmen walking, and together the recruits begin to look for a way to stop this trend. After all, each of them has a backstory, but only barely, leading them to wonder if they are even the protagonist in their own story, or merely extras…

    It’s a clever story, helped markedly by being a quick, well-paced read. The novel obviously works best if you are an avid Star Trek fan, but it isn’t reliant on the fact. I know the films and the original series pretty well, but am by no means a big Trek fan. A decent familiarity with sci-fi in general is adequate for most of the jokes here. I caught some great little tips of the hat and missed probably many more – it doesn’t matter – the story works mainly because it is not a spoof, but a very solid story that is funny on its own merits.

    The dialogue is top shelf, which I have come to expect from Scalzi and the action is well written. The whole thing is breezily read and it all too easy to visualize as a living, breathing show. (I understand plans for a series are afoot.)

    The book is advertised as “a novel with three codas” and these codas are really quite interesting. I have no intention of spoiling the story by explaining the inclusion of this “extra” material, but I they are very welcome additions and help to tie up the whole story.

    Highly recommended.

    [schema type=”book” url=”http://whatever.scalzi.com/” name=”Redshirts” description=”Ensign Andrew Dahl has just been assigned to the Universal Union Capital Ship Intrepid, flagship of the Universal Union since the year 2456. It’s a prestige posting, and Andrew is thrilled all the more to be assigned to the ship’s Xenobiology laboratory. Life couldn’t be better…until Andrew begins to pick up on the fact that (1) every Away Mission involves some kind of lethal confrontation with alien forces, (2) the ship’s captain, its chief science officer, and the handsome Lieutenant Kerensky always survive these confrontations, and (3) at least one low-ranked crew member is, sadly, always killed. Not surprisingly, a great deal of energy below decks is expendedon avoiding, at all costs, being assigned to an Away Mission. Then Andrew stumbles on information that completely transforms his and his colleagues’ understanding of what the starship Intrepid really is…and offers them a crazy, high-risk chance to save their own lives. Redshirts is the winner of the 2013 Hugo Award for Best Novel.” author=”John Scalzi” publisher=”Tor Books” pubdate=”2012-01-01″ isbn=”0765316994″ ebook=”yes” paperback=”yes” hardcover=”yes” ]

  • Lock In (2014)

    Lock In (2014)

    Lock In
    Lock In by John Scalzi

    My rating: 5 of 5 stars

    In John Scalzi’s new sci-fi thriller, Lock In, human civilization has been ravaged by a disease that kills many and leaves many more in a coma-like state. At the outset, Haden’s Syndrome comes on like Avian flu before escalating to meningitis in a second stage. And then it gets really tricky…

    Scalzi has come up with a fascinating and wholly unique premise; that of humans trapped in their own bodies – fully aware but incapable of any physical movement or speech. The syndrome and the resultant solution – transmitting consciousness into a robot (“threep”) or another receptive human being (“integrator”) make for fantastic science-fiction by themselves, but it is the larger issues created by this new reality that make the tale so interesting. As with most great sci-fi, the novel deals with troubling larger issues of identity, reality, morality, discrimination and what it means to be human.

    The story is told from the perspective of Chris Shane, a “Haden” child of a famous businessman & former basketball player. The novel opens with Shane’s first week as an FBI agent, ambulating in a high-end threep (so named for the robots resemblance to a certain famous film robot). Shane’s partner is a former integrator and the two are uniquely qualified for their first case together, that of a murder that may have been perpetrated by an integrator – or someone else in their head…

    The story mostly plays out as a police procedural mystery, but a spellbinding one. It is absolutely a captivating read that I could barely stand to stop reading. The ending was slightly less satisfying, being a bit too neatly wrapped up for a novel that raised so many interesting and thorny problems, but I’m not totally sure I wasn’t just annoyed that the story was ending…

    The characters are very interesting with great dialogue, although the protagonist unsurprisingly is drastically more developed than any other individual. One sort of remarkable note about the character: the audiobook, produced by Audible Studios was actually created in two separate versions with different narrators, Amber Benson & Wil Wheaton. When they first promoted this, they offered both editions for the price of one if you pre-ordered – I was intrigued, so I did.* The author said this: “There’s a really excellent reason for Lock In to have two entirely different versions.” I have to admit that I read/listened to the entire novel without ever realizing why. It was only afterwards, when I was no longer afraid of spoilers that I listened to an interview with the narrators and was made aware that the author never specifies the gender of the main character. I was stunned – equally impressed that Scalzi pulled this off and that I read the entire book without recognizing this. While in another situation I might have interpreted my failure to pick up on this lack of detail about the main character as inattentive reading on my part, I can clearly recognize the skill on the author’s part here; he makes the gender irrelevant.

    This is really rather impressive, and it’s not the only instance of this skill in the novel, although I don’t want to spoil the story. I’m not spoiling anything by noting the casual introduction of gay characters in the same manner; the author is merely fleshing out descriptive information about characters in the same way he notes physical appearance or mannerisms. There’s nothing revolutionary going on here, but utilizing gay characters in non-stereotypical ways – allowing gays to be powerful, corporate jerks just like everyone else is refreshing and another great example of how elegantly Scalzi writes. Much like the novella that teased this novel, Unlocked: An Oral History of Haden’s Syndrome, the story feels like something the author just observed and reported; the writing seems effortless (I know it isn’t).

    The action in Lock In is well written, but this really is a book more about ideas. It would be hard to believe that many of the issues the characters struggle with will not rear their heads in our lifetime. The prospect of a massive viral outbreak and our inability to stem it is bone-chilling plausible as are the myriad political, technical and societal responses dealt with here.

    Lock In is top-shelf sci-fi and highly recommended. Now, do we get a sequel?


    Update #1 – 09/04/2014

    * I sort of half-read, half-listened to the the story. Although I initially bought the audio version, it was so immediately satisfying that I picked up the Kindle version so I could switch back and forth to maximize reading time. I started with the Wheaton version and will listen to Benson’s narration on my re-read, which will start in about 5, 4, 3…

    I do highly recommend the well-made audio versions, found here: http://www.audible.com/mt/LockIn?bp_ua=yes&source_code=AUDGBWS0701149A1E


    Update #2 – 11/10/2014

    Just finished the Amber Benson narrated version, which I’ve been picking away at a bit at a time for the past 2 months. It’s equally fantastic! It’s very interesting to hear another narrator of equal quality with an entirely different take on each character and situation. Made the story fresh and different on my second read.

    [schema type=”book” url=”http://whatever.scalzi.com/” name=”Lock In” description=”A novel of our near future, from one of the most popular authors in modern SF Fifteen years from now, a new virus sweeps the globe. 95% of those afflicted experience nothing worse than fever and headaches. Four percent suffer acute meningitis, creating the largest medical crisis in history. And one percent find themselves “locked in”—fully awake and aware, but unable to move or respond to stimulus. One per cent doesn’t seem like a lot. But in the United States, that’s 1.7 million people “locked in”…including the President’s wife and daughter. Spurred by grief and the sheer magnitude of the suffering, America undertakes a massive scientific initiative. Nothing can restore the ability to control their own bodies to the locked in. But then two new technologies emerge. One is a virtual-reality environment, “The Agora,” in which the locked-in can interact with other humans, both locked-in and not. The other is the discovery that a few rare individuals have brains that are receptive to being controlled by others, meaning that from time to time, those who are locked in can “ride” these people and use their bodies as if they were their own. This skill is quickly regulated, licensed, bonded, and controlled. Nothing can go wrong. Certainly nobody would be tempted to misuse it, for murder, for political power, or worse…” author=”John Scalzi” publisher=”Tor Books” pubdate=”2014-08-26″ isbn=”0765375869″ ebook=”yes” hardcover=”yes” ]

  • Unlocked: An Oral History of Haden’s Syndrome (2014)

    Unlocked: An Oral History of Haden’s Syndrome (2014)

    Unlocked: An Oral History of Haden's Syndrome
    Unlocked: An Oral History of Haden’s Syndrome by John Scalzi

    My rating: 5 of 5 stars

    I just wrote possibly my longest book review ever (odd considering this is a novella) and lost it when I hit save because I changed editions mid-review. Sigh…

    Ok, MUCH shorter now:

    Unlocked is a novella that appeared on TOR.com as a preview or teaser for Lock In, which just came out. The story is in the “oral history” style of writing, and gives the back story behind Haden’s Syndrome, a super-flu type disease which radically affects all of human civilization in author John Scalzi’s new book.

    I’d never read anything in this style previously – it’s a fantastic exposition tool here and far more interesting than I would have expected. The novel itself has a clever tool of opening with an introduction written like an online encyclopedia article. It is very effective and gives all of the information you need to enter the world the author has created for his novel. But the additional background provided in Unlocked certainly provides greater depth and clarity to the overall story.

    Had I been aware of the publication of this story earlier this year it probably would have been better to read it at the time, further whetting my appetite for the full novel. But I was already pretty eager for Lock In as it was.

    My own odd method of consuming the story worked pretty well in hindsight. I purchased the Audible version of Lock In, narrated by Wil Wheaton (there’s also a version narrated by Amber Benson) and listened to the first 4-5 chapters yesterday. Then last night in bed when I wanted to read not listen, I purchased and knocked this out quickly. It absolutely added to my enjoyment of Lock In and proceeded to purchase the Kindle version of the novel as well, and stayed up too late continuing the story. It’s a grabber…

    Long story short (too late), you don’t need to read this in order to enjoy Lock In, but it will certainly enhance your appreciation. It’s not a long read, but more substantial than I expected and very engaging on it’s own. And it will absolutely make you want to continue the story…

    Highly recommended.

    [schema type=”book” url=”http://whatever.scalzi.com/” name=”Unlocked: An Oral History of Haden’s Syndrome” description=”A new near-future science fiction novella by John Scalzi, one of the most popular authors in modern SF. “Unlocked” traces the medical history behind a virus that will sweep the globe and affect the majority of the world’s population, setting the stage for Lock In, the next major novel by John Scalzi. Available as an e-book or via Tor.com, acquired and edited for Tor.com by senior editor Patrick Nielsen Hayden http://www.tor.com/stories/2014/05/unlocked-an-oral-history-of-hadens-syndrome-john-scalzi” author=”John Scalzi” publisher=”Tor Books” pubdate=”2014-05-07″ isbn=”1466871792″ ebook=”yes” hardcover=”yes” ]

  • Mary Poppins (1964)

    Mary Poppins (1964)

    140 Character Movie Review – #140RVW

    “Practically perfect in every way.” – It’s an exaggeration, but not much of one. Sherman Brothers finest moment seals the deal on a classic. Mary Poppins

    Spoiler-free Movie Review of Mary Poppins:

    To save time, I’m going to list all the problems with this movie first – because there really aren’t many:

    • The actors are wearing more makeup than seems possible. It looks like they wandered in from a black & white silent film and the makeup artists didn’t know it was 1964.
    • The whole “I Love To Laugh” sequence with the gifted character actor Ed Wynn, while very good, is wholly unnecessary and adds to the run time of an already long film. It’s an extra adventure that doesn’t fit in with the rest of the storyline. It should have been excised and the story would have been much more streamlined.
    • When Jack Warner passed over Julie Andrews for the film version of My Fair Lady (which she had been starring on Broadway) in favor of Audrey Hepburn it freed her up for Walt Disney to cast her in her first film performance. That’s not the problem. The problem is that Andrews got the Best Actress Oscar over Hepburn, for which I call shenanigans. Andrews is masterful in this picture, but I don’t believe her performance was better than Hepburn’s. I wonder if Andrews got the edge because she did her own singing (Audrey was looped) or out of sympathy for not landing the Eliza Doolittle role she had made famous. Or maybe someone wanted to show up Jack Warner. In any event, it’s sort of like arguing between best Beatles albums, since they are both magnificent…

    Mary Poppins Of course, that I’m classifying the beating out Audrey for an award a problem shows just how deep I have to dig for any real criticism of the picture. (Note: I didn’t include Dick Van Dyke’s truly dreadful cockney accent because it’s one of those things that’s so bad it’s almost good. Not only that, it surely convinced filmmakers Albert Broccoli & Ken Hughes that he should just skip the English accent for Chitty Chitty Bang Bang entirely, so there’s that.) Mary Poppins The story of bringing author P.L. Travers’s character to movie screens is famously if rather inaccurately chronicled in the feature film Saving Mr. Banks, but even before that picture it was interesting stuff, with Disney’s struggles with Travers being legendary. In the end, they both were probably right in their instincts; Travers was rightfully protective of her work if possibly too attached to recognize how much Disney’s influence could do for her character – Disney and company made a few major missteps with the characters while simultaneously adding immeasurable benefits in the adaptation. Mary Poppins It really is a tremendous picture. The plot doesn’t need repeating, as probably everyone has seen the film at some point in the past 50 years, suffice it to say that it’s a classic story, based loosely on the first Mary Poppins novel with some of the second in there. You can’t call any 139 minute film streamlined and it certainly isn’t – it could probably do with a haircut, but at that time many pictures were longer. (Although there’s no official intermission in the movie, there probably should have been and many theaters took it upon themselves to add one anyway.) Mary Poppins The acting is over the top as only 1960’s movies can be, but that doesn’t mean it isn’t wonderful. I find the whole picture lacking in subtlety and at times it’s hard to shake the impression that everyone is yelling at you. Your enjoyment of the film likely depends on your feelings on Julie Andrews’ performance. It’s a bit much for me personally, but unquestionably excellent and star-making. Van Dyke is simply wonderful in the picture – one of the all-time great physical actors. David Tomlinson turns in a great performance that works much better the older you are. The film as a whole possesses that quality of being layered and like many great films you take away different things at different times of your life. Mary Poppins The music is a complete triumph, the high point in the career of the Sherman Brothers. No wonder they were asked to essentially make it twice with Chitty Chitty Bang Bang. Mary Poppins Mary Poppins would prove to be one of the biggest hits of Walt Disney’s filmmaking career and is regarded by many as his greatest film. It is marvelous.

    Poster:

    Trailer:

    Bechdel Test:

    Pass

    The Representation Test Score: B (9 pts)

    (http://therepresentationproject.org/grading-hollywood-the-representation-test/) Mary Poppins Representation Test   [schema type=”movie” url=”http://movies.disney.com/mary-poppins” name=”Mary Poppins” description=”A magic nanny comes to work for a cold banker’s unhappy family.” director=”Robert Stevenson” actor_1=”Julie Andrews” actor_2=”Dick Van Dyke”]

    Main Cast Julie Andrews Mary Poppins, Dick Van Dyke Bert/Mr. Dawes Senior (also as Navckid Keyd), David Tomlinson Mr. Banks, Glynis Johns Mrs. Banks
    Rating G
    Release Date Fri 11 Sep 1964 UTC
    Director Robert Stevenson
    Genres Comedy, Family, Fantasy, Musical
    Plot A magic nanny comes to work for a cold banker’s unhappy family.
    Poster Mary Poppins
    Runtime 139
    Tagline See It Again and Again with that Supercalifragilistic Music! [re-release Australia 1976]
    Writers Bill Walsh (screenplay) &, Don DaGradi (as Don Da Gradi) (screenplay) …
    Year 1964