Tag: 2014

  • Lock In (2014)

    Lock In (2014)

    Lock In
    Lock In by John Scalzi

    My rating: 5 of 5 stars

    In John Scalzi’s new sci-fi thriller, Lock In, human civilization has been ravaged by a disease that kills many and leaves many more in a coma-like state. At the outset, Haden’s Syndrome comes on like Avian flu before escalating to meningitis in a second stage. And then it gets really tricky…

    Scalzi has come up with a fascinating and wholly unique premise; that of humans trapped in their own bodies – fully aware but incapable of any physical movement or speech. The syndrome and the resultant solution – transmitting consciousness into a robot (“threep”) or another receptive human being (“integrator”) make for fantastic science-fiction by themselves, but it is the larger issues created by this new reality that make the tale so interesting. As with most great sci-fi, the novel deals with troubling larger issues of identity, reality, morality, discrimination and what it means to be human.

    The story is told from the perspective of Chris Shane, a “Haden” child of a famous businessman & former basketball player. The novel opens with Shane’s first week as an FBI agent, ambulating in a high-end threep (so named for the robots resemblance to a certain famous film robot). Shane’s partner is a former integrator and the two are uniquely qualified for their first case together, that of a murder that may have been perpetrated by an integrator – or someone else in their head…

    The story mostly plays out as a police procedural mystery, but a spellbinding one. It is absolutely a captivating read that I could barely stand to stop reading. The ending was slightly less satisfying, being a bit too neatly wrapped up for a novel that raised so many interesting and thorny problems, but I’m not totally sure I wasn’t just annoyed that the story was ending…

    The characters are very interesting with great dialogue, although the protagonist unsurprisingly is drastically more developed than any other individual. One sort of remarkable note about the character: the audiobook, produced by Audible Studios was actually created in two separate versions with different narrators, Amber Benson & Wil Wheaton. When they first promoted this, they offered both editions for the price of one if you pre-ordered – I was intrigued, so I did.* The author said this: “There’s a really excellent reason for Lock In to have two entirely different versions.” I have to admit that I read/listened to the entire novel without ever realizing why. It was only afterwards, when I was no longer afraid of spoilers that I listened to an interview with the narrators and was made aware that the author never specifies the gender of the main character. I was stunned – equally impressed that Scalzi pulled this off and that I read the entire book without recognizing this. While in another situation I might have interpreted my failure to pick up on this lack of detail about the main character as inattentive reading on my part, I can clearly recognize the skill on the author’s part here; he makes the gender irrelevant.

    This is really rather impressive, and it’s not the only instance of this skill in the novel, although I don’t want to spoil the story. I’m not spoiling anything by noting the casual introduction of gay characters in the same manner; the author is merely fleshing out descriptive information about characters in the same way he notes physical appearance or mannerisms. There’s nothing revolutionary going on here, but utilizing gay characters in non-stereotypical ways – allowing gays to be powerful, corporate jerks just like everyone else is refreshing and another great example of how elegantly Scalzi writes. Much like the novella that teased this novel, Unlocked: An Oral History of Haden’s Syndrome, the story feels like something the author just observed and reported; the writing seems effortless (I know it isn’t).

    The action in Lock In is well written, but this really is a book more about ideas. It would be hard to believe that many of the issues the characters struggle with will not rear their heads in our lifetime. The prospect of a massive viral outbreak and our inability to stem it is bone-chilling plausible as are the myriad political, technical and societal responses dealt with here.

    Lock In is top-shelf sci-fi and highly recommended. Now, do we get a sequel?


    Update #1 – 09/04/2014

    * I sort of half-read, half-listened to the the story. Although I initially bought the audio version, it was so immediately satisfying that I picked up the Kindle version so I could switch back and forth to maximize reading time. I started with the Wheaton version and will listen to Benson’s narration on my re-read, which will start in about 5, 4, 3…

    I do highly recommend the well-made audio versions, found here: http://www.audible.com/mt/LockIn?bp_ua=yes&source_code=AUDGBWS0701149A1E


    Update #2 – 11/10/2014

    Just finished the Amber Benson narrated version, which I’ve been picking away at a bit at a time for the past 2 months. It’s equally fantastic! It’s very interesting to hear another narrator of equal quality with an entirely different take on each character and situation. Made the story fresh and different on my second read.

    [schema type=”book” url=”http://whatever.scalzi.com/” name=”Lock In” description=”A novel of our near future, from one of the most popular authors in modern SF Fifteen years from now, a new virus sweeps the globe. 95% of those afflicted experience nothing worse than fever and headaches. Four percent suffer acute meningitis, creating the largest medical crisis in history. And one percent find themselves “locked in”—fully awake and aware, but unable to move or respond to stimulus. One per cent doesn’t seem like a lot. But in the United States, that’s 1.7 million people “locked in”…including the President’s wife and daughter. Spurred by grief and the sheer magnitude of the suffering, America undertakes a massive scientific initiative. Nothing can restore the ability to control their own bodies to the locked in. But then two new technologies emerge. One is a virtual-reality environment, “The Agora,” in which the locked-in can interact with other humans, both locked-in and not. The other is the discovery that a few rare individuals have brains that are receptive to being controlled by others, meaning that from time to time, those who are locked in can “ride” these people and use their bodies as if they were their own. This skill is quickly regulated, licensed, bonded, and controlled. Nothing can go wrong. Certainly nobody would be tempted to misuse it, for murder, for political power, or worse…” author=”John Scalzi” publisher=”Tor Books” pubdate=”2014-08-26″ isbn=”0765375869″ ebook=”yes” hardcover=”yes” ]

  • Unlocked: An Oral History of Haden’s Syndrome (2014)

    Unlocked: An Oral History of Haden’s Syndrome (2014)

    Unlocked: An Oral History of Haden's Syndrome
    Unlocked: An Oral History of Haden’s Syndrome by John Scalzi

    My rating: 5 of 5 stars

    I just wrote possibly my longest book review ever (odd considering this is a novella) and lost it when I hit save because I changed editions mid-review. Sigh…

    Ok, MUCH shorter now:

    Unlocked is a novella that appeared on TOR.com as a preview or teaser for Lock In, which just came out. The story is in the “oral history” style of writing, and gives the back story behind Haden’s Syndrome, a super-flu type disease which radically affects all of human civilization in author John Scalzi’s new book.

    I’d never read anything in this style previously – it’s a fantastic exposition tool here and far more interesting than I would have expected. The novel itself has a clever tool of opening with an introduction written like an online encyclopedia article. It is very effective and gives all of the information you need to enter the world the author has created for his novel. But the additional background provided in Unlocked certainly provides greater depth and clarity to the overall story.

    Had I been aware of the publication of this story earlier this year it probably would have been better to read it at the time, further whetting my appetite for the full novel. But I was already pretty eager for Lock In as it was.

    My own odd method of consuming the story worked pretty well in hindsight. I purchased the Audible version of Lock In, narrated by Wil Wheaton (there’s also a version narrated by Amber Benson) and listened to the first 4-5 chapters yesterday. Then last night in bed when I wanted to read not listen, I purchased and knocked this out quickly. It absolutely added to my enjoyment of Lock In and proceeded to purchase the Kindle version of the novel as well, and stayed up too late continuing the story. It’s a grabber…

    Long story short (too late), you don’t need to read this in order to enjoy Lock In, but it will certainly enhance your appreciation. It’s not a long read, but more substantial than I expected and very engaging on it’s own. And it will absolutely make you want to continue the story…

    Highly recommended.

    [schema type=”book” url=”http://whatever.scalzi.com/” name=”Unlocked: An Oral History of Haden’s Syndrome” description=”A new near-future science fiction novella by John Scalzi, one of the most popular authors in modern SF. “Unlocked” traces the medical history behind a virus that will sweep the globe and affect the majority of the world’s population, setting the stage for Lock In, the next major novel by John Scalzi. Available as an e-book or via Tor.com, acquired and edited for Tor.com by senior editor Patrick Nielsen Hayden http://www.tor.com/stories/2014/05/unlocked-an-oral-history-of-hadens-syndrome-john-scalzi” author=”John Scalzi” publisher=”Tor Books” pubdate=”2014-05-07″ isbn=”1466871792″ ebook=”yes” hardcover=”yes” ]

  • Guardians of the Galaxy (2014)

    Guardians of the Galaxy (2014)

    140 Character Movie Review – #140RVW

    Wow. I don’t know if this is the best Marvel movie so far, but it’s definitely the most fun. An absolute blast, beginning to end. #iamgroot

    Guardians of the Galaxy

    Spoiler-free Movie Review of Guardians of the Galaxy:

    I was very nervous about this one. I honestly had never even heard of the comic when the film was announced, and once it was described to me I thought that Marvel might be endangering their win streak. They’re feeling pretty good about themselves over there since all of their films have been big hits, and the announcement of a film version of Ant-Man and a movie starring a talking raccoon seemed like hubris. I no longer really have any doubt about their creative direction after they made this one into a smash hit. (Except for one thing: the practice of announcing sequels to films that haven’t been released yet – that needs to stop yesterday. It’s obnoxious and presumptuous.)

    Guardians of the Galaxy

    Once I started seeing artwork and stills and especially the trailers, though, I had another concern. Now that it was starting to look really cool, I worried that they’d screw it up. I kind of hated director James Gunn’s last picture, Super, so I was afraid this picture might try to be smarter or more clever than it really is. I worried needlessly.

    Guardians of the Galaxy

    Guardians of the Galaxy is a complete, unqualified success. Not just the most enjoyable of all of the movies from Marvel Studios, it was actually more fun to watch than anything I’ve seen in the theater in some time. The tone and the spirit of adventure are absolutely perfect.

    Guardians of the Galaxy

    The story is basically your standard Macguffin hunt with odd personalities that must learn to work together, blah, blah, blah. But the execution is flawless. Well, nearly flawless – I don’ t know what Glenn Close & Benicio del Toro were doing in this movie but they should have been asked to stop.

    Guardians of the Galaxy

    The acting talent in general, however, is amazing. It’s a seriously deep cast, from Chris Pratt in the star-making lead role down to Seth Green as the voice of…well, that would be telling…

    Guardians of the Galaxy

    All of the characters are original and a blast to get to know, with Groot & Rocket being my personal faves. I love that they got Vin Diesel to voice a character who only says “I am Groot”. And Bradley Cooper really loses himself in Rocket. But the live-action actors are very fine and particularly committed to working with dizzying amounts of makeup. Karen Gillan and Lee Pace are unrecognizable.

    Guardians of the Galaxy

    The design of the film is fantastic, which is not easy to achieve in a sci-fi movie. There’s a tendency to be either derivative or totally out there (in an attempt not to be derivative).  But there are a lot of truly unique designs in the picture, with Star-Lord’s mask and gadgets, and the Novas ships sticking out particularly in my mind. There are an unbelievable amount of CG effects, which is unavoidable, but they are of an extremely high quality.

    Guardians of the Galaxy

    This is one of those times where a movie is so enjoyable that I have difficulty talking too much about it – I just want to say “go see it and by the way can I come, too?”

    Poster:

    Trailer:

    Bechdel Test:

    Pass

    The Representation Test Score: C (5 pts)

    (http://therepresentationproject.org/grading-hollywood-the-representation-test/)

    Guardians of the Galaxy Representation Test

     

    [schema type=”movie” url=”http://marvel.com/guardians” name=”Guardians of the Galaxy” description=”In the far reaches of space, an American pilot named Peter Quill finds himself the object of a manhunt after stealing an orb coveted by the villainous Ronan.” director=”James Gunn” actor_1=”Chris Pratt” actor_2=”Vin Diesel” actor_3=”Bradley Cooper” actor_4=”Zoe Saldana” actor_5=”Dave Bautista” actor_6=”Lee Pace” ]

    Main Cast Chris Pratt Peter Quill, Vin Diesel Groot (voice), Bradley Cooper Rocket (voice), Zoe Saldana Gamora
    Rating PG-13
    Release Date Fri 01 Aug 2014 UTC
    Director James Gunn
    Genres Action, Adventure, Sci-Fi
    Plot In the far reaches of space, an American pilot named Peter Quill finds himself the object of a manhunt after stealing an orb coveted by the villainous Ronan.
    Poster Guardians of the Galaxy
    Runtime 121
    Tagline You’re Welcome
    Writers James Gunn (written by) and, Nicole Perlman (written by) …
    Year 2014
  • The Fracking King: A Novel (2014)

    The Fracking King: A Novel (2014)

    The Fracking King: A Novel
    The Fracking King: A Novel by James Browning

    My rating: 2 of 5 stars

    I really don’t know what to make of The Fracking King. It is obviously penned by a talented author. I found it fascinating and wanted to keep reading. It was very engaging. It just was kind of a hot mess.

    The protagonist, Winston Crwth is a teen Scrabble prodigy. I was completely unaware such things existed. The entire book is very focused on Scrabble – obsessively so. While I can’t claim to have been misled – the synopsis clearly talks about “hardcore Scrabble” – I never expected that something so seemingly meaningless to me could be so massively important to a story.

    Winston is an awkward student entering his third high school, this one a bizarre and isolated boarding school filled with half-developed characters. The school is so backwards and weird that it can only be based on personal experience.

    The other main theme of the novel is about the controversial practice of fracking, where pressurized liquids of questionable content are injected into wellbores to break up rock formations and stimulate mining of gas. The author seems to be extremely knowledgeable on the subject and calling attention to the environmental issues is undoubtedly the main purpose of the novel. But it’s simply not digestible. For something that is talked about so much it is explained so little. The book assumes a similar amount of expertise on the part of the reader and speaks in shorthand; it’s an ill-advised presumption.

    Mainly, it’s a frustrating novel. There’s a great story in here, but the hyper-focus on the specifics of Scrabble and fracking don’t leave much room for development of the characters and the story is very disjointed. But it’s really interesting at the same time. I really have very mixed feelings about it. While I start to conclude that it was poorly written, I realize that I couldn’t put it down, so it certainly possessed some great qualities. I suppose I’d say that it wasn’t enjoyable but was engaging.

    [schema type=”book” name=”The Fracking King” description=”A striking debut novel about boarding school, hardcore Scrabble, and fracking—a new kind of environmental novel by an important voice in the debate about fracking in America. When the tap water at the Hale Boarding School for Boys bursts into flames, people blame fracking. Life at Hale has always been fraught—the swim test consists of being thrown into the pool with wrists and ankles tied, and a boy can be expelled if he and a girl keep fewer than “three feet on the floor.” But the sight of combustible drinking water and the possibility that fracking is making Hale kids sick turn one student into an unlikely hero in the fight to stop the controversial drilling practice. Winston Crwth, a Scrabble prodigy whose baffling last name rhymes with “truth,” knows what it’s like to be “fractured,” having grown up with his father in Philadelphia and his mother in California. On Winston’s comic journey to the Pennsylvania State Scrabble Championship, where he hopes to win an audience with beauty-queen-turned-governor Linda King LaRue, he matches wits with Thomasina Wodtke-Weir, the headmaster’s prematurely gray daughter and the most popular (read: only) girl at school; the state poet laureate, whose verse consists of copying out dictionary entries and restroom graffiti; and David Dark, son of the CEO of Dark Oil & Gas, the source of Winston’s scholarship money. The Fracking King is a fantastically inventive debut about rowing crew, using all your tiles, and trying to save the world.” author=”James Browning” publisher=”New Harvest” pubdate=”2014-07-01″ isbn=”0544262999″ ebook=”yes” hardcover=”yes” ]

  • Earth to Echo (2014)

    Earth to Echo (2014)

    140 Character Movie Review – #140RVW

    Forget the totally undeserved bad reviews, this is a solid tale for modern smartphone era kids with the tone of the great 1980’s adventures.

    Earth to Echo

    Spoiler-free Movie Review of Earth to Echo:

    Yikes! The vitriol aimed at this cute little movie is a little hard to come to terms with. I didn’t read one single review of the movie, but I kind of didn’t need to. Every time I looked up images or quotes or cast info, all I kept seeing was “shameless rip-off”, “uninspired”, “derivative”, and far worse. You people get that this is a kids movie, yes?

    Earth to Echo

    Part of the nastiness I attribute to our overly critical natures and simple schadenfreude. The films provenance is troubled, as it was developed by Walt Disney Studios who delayed release several times before they finally sold it off to Relativity Media, who then did some additional shooting. When you hear that sort of thing your antenna goes up and you usually assume that a project was thrown out with the trash as the studio didn’t believe in it. In this case, it seems to be more a case of being orphaned when there was a change in studio leadership. This sort of thing happens all the time in development; an executive who championed your project gets shifted and the new exec sees no upside to continuing with the inherited project (if it fails it’s their fault, if it succeeds the former exec gets the credit). It just happens much less frequently once a film is ready for release. With that news, however, everyone smelled blood in the water and proceeded to write the movie off, sharpening their knives in preparation of getting to rip it apart.

    Earth to Echo

    Most of the anger, though, seems focused on the perception that this movie rips off E.T. and is unoriginal. Stop right there – E.T. isn’t one of the finest films ever made because of how original it is. It was far from the first film to tread on this territory. (Spielberg himself took three tries to make the movie: Close Encounters of the Third Kind and the unmade sorta-sequel Night Skies. Another lesser-known fact is that both E.T.Close Encounters were both dogged by claims of plagiarism of an unproduced script by Satyajit Ray called The Alien that made the rounds in Hollywood for years.)

    Earth to Echo

    No, E.T. was brilliant and remains powerful because of its great heart, how amazing the relationships are, and how touching, magical and awe-inspiring it was. It’s also 32 years old. It’s a great story of friendship with a wonderful sense of adventure and kid empowerment, so why don’t modern kids deserve their own story?

    Think about it; how meaningful is the movie to today’s kids? I know we use words like timeless when discussing classic films, but oftentimes we’re kidding ourselves. Just because a movie is wonderful does not make it timeless. E.T. is very dated, and that’s not a criticism any more than applying the term to a Cold War film. While the picture is exactly as great as it was 32 years ago, it was a long time ago and utilizes outdated technology for major plot points.

    Earth to Echo

    We love the movies of our childhood and sometimes put them on pedestals where we can’t see that they’ve gotten a bit worn, and then we can’t see why everyone doesn’t view the films today exactly the way we did then.

    The filmmakers responsible for Earth to Echo have acknowledged a desire to create a movie with the adventurous spirit of those great 80’s movies and they have succeeded, while imbuing the film with a modern sensibility that will better resonate with its target audience of today’s kids. (And I reject the idea that modern films can simply update the old stories for kids who won’t appreciate older films. My daughter has seen E.T. – she loved it. And she loved this one. There’s nothing mutually exclusive about it – good, fun movies will be seen for what they are and will hold up if they are well-made. There’s nothing wrong with wanting to also have newer pictures that infuse the same spirit of wonder and adventure.)

    Earth to Echo

    The film centers around a group of best friends from a neighborhood in suburban Las Vegas that is being demolished to make way for a highway. (Amazingly I didn’t spot any Hitchhiker’s Guide to the Galaxy gags in here, which seems like a called shot.) As the families make their moving plans, phones around the diminishing neighborhood begin to act strangely, displaying seemingly nonsensical electronic noise. Of course our heroes, Tuck, Munch and Alex, detect a pattern in the signal and resolve to have one last adventure before they all are forced to go their separate ways. Over a crowded 24 hours, they’ll make 2 new friends – one out of this world – and get their famous last stand.

    Earth to Echo

    The film is shot in “found footage” format, a stylistic choice seemingly meant to resonate with a generation of smartphone users. It is largely an effective tool, although they clearly felt they needed to add some reshoots and additional non-shaky-cam footage, either to make the film more family-friendly or easier to follow, and it does make the look of the film sort of inconsistent. The basic conceit is that Tuck (played by rapper Brian “Astro” Bradley) aspires to YouTube fame and records his actions all the time through a combination of camcorders, smartphones and go-pro cams. Because of this, it makes sense that he’d get all of this footage, but it also means he and the other actors play to the camera a lot. Like any footage of people aware that they are being filmed, this is a little annoying at first, giving the film an amateurish feel, but through the course of the picture it leads to some great moments as real emotion is captured by characters who have let the omnipresence of the cameras lull them into forgetting that they are being filmed.

    Earth to Echo

    This premise of best friends being separated (a la Goonies) certainly is not new, but it is played out more effectively than most. There is some meaningful content here, and the picture doesn’t shy away from the emotional depth of these kids. Impressively, the found footage style really enhances the confessional feel of the moments when they let their guard down.

    The desert and deserted setting factors hugely in the tone of the film as the neighborhood clears out, giving a ghost-like quality to the area and believabilty to the concept that these kids could wander around so freely at all hours.

    Earth to Echo

    I haven’t mentioned much about the effects of the movie as I don’t consider Earth to Echo to be a big FX picture. What it does it does well, but other than a highway chase FX scene from the trailer that was an add by the second studio, it’s not showy and I like that. In the most significant break from the movies it is accused of ripping off, the point of the picture isn’t really even about the alien – it’s a story of the friends.

    Earth to Echo

    I freely admit that I allowed all of the negative vibe around this movie lower my expectations dramatically before seeing Earth to Echo. For that, I thank all of the haters, because I enjoyed it possibly more as a result. It was a fun picture that surprisingly avoided too much sentimentality. It’s not cutesy and frankly doesn’t sugar coat the feelings of the teen leads or insist on everything being wrapped up nicely. Put aside the criticism that this is ripping off a 32 year old movie and go with a kid who will remind you of the simple fun of watching a story with a cute alien.

    Poster:

    Trailer:

    Bechdel Test:

    Fail

    The Representation Test Score: C (5 pts)

    (http://therepresentationproject.org/grading-hollywood-the-representation-test/)

    Earth to Echo Representation Test

    [schema type=”movie” url=”http://callhimecho.com/” name=”Earth to Echo” description=”After receiving a bizarre series of encrypted messages, a group of kids embark on an adventure with an alien who needs their help.” director=”Dave Green” actor_1=”Teo Halm” actor_2=”Astro” actor_3=”Reese Hartwig” actor_4=”Ella Wahlestedt” ]

    Main Cast Teo Halm Alex, Astro (as Brian ‘Astro’ Bradley) Tuck, Reese Hartwig Munch, Ella Wahlestedt Emma
    Rating PG
    Release Date Wed 02 Jul 2014 UTC
    Director Dave Green
    Genres Adventure, Family, Sci-Fi
    Plot After receiving a bizarre series of encrypted messages, a group of kids embark on an adventure with an alien who needs their help.
    Poster Earth to Echo
    Runtime 91
    Tagline No one will ever believe our story.
    Writers Henry Gayden (screenplay), Henry Gayden (story) …
    Year 2014