Author: mfordfeeney

  • Independence Day (1996)

    Independence Day (1996)

    140 Character Movie Review – #140RVW

    The total embodiment of the blockbuster concept. Played far better in 1996 than in 2014, especially the major American cities exploding…

    Independence Day

    Spoiler-free Movie Review of Independence Day:

    So, how to review this movie – as a film or as a phenomenon? Because really, it’s not much of a movie.

    Independence Day

    That’s not to say that it doesn’t succeed at its goals, which it surely surpasses. It was ridiculously successful, becoming the 2nd largest grossing film at the time. It probably created or at least greatly contributed to the way modern movies are teased & marketed (I’m not thanking them for that…), if not ringing in a new era of “event” movies than being a big part of the movement.

    Independence Day

    It also reinvigorated the sci-fi genre, which was getting a little stale at the time. It launched actor Will Smith into the stratosphere, expanding his profile from Bad Boys to become one of the world’s largest movie stars.

    Independence Day

    The movie couldn’t have been less subtle if they casted Schwarzenegger or Van Damme. (I wonder that they didn’t; I bet they tried.) It’s helmed by German director Roland Emmerich and produced by Dean Devlin (they both also co-wrote) and these guys don’t exactly deal in middle distances.

    Independence Day

    The film’s casting is definitely a case of quantity over quality and fails the Randy Quaid test (i.e., it contains Randy Quaid). Ever character is a caricature and the picture is lousy with character actors for that reason.

    Independence Day

    Perhaps uniquely for this genre and style of filmmaking, the digital effects are rather minimal. I don’t know if it’s still true, but at the time of release this movie featured the most miniatures ever used in a feature film. The practical effects help sell the action quite well. Although it really doesn’t still elicit positive thrills watching famous buildings explode, for obvious reasons, you have to admire the technique and realism.

    Independence Day

    Independence Day is sort of a transitional movie. I can’t be sure, but I suspect that a number of people went to go see this movie for the same reason I did; because at the time it didn’t appear that they were going to be making any more Star Wars movies and this might be the closest we’d get to seeing big-budget space action. Of course, we’d soon realize that the Wars would be continuing, and thanks in no small amount to the success of this movie, that there would soon be a ton of genre pictures with great effects. So it’s sort of a time capsule – worth more for its impact than for its merits. But not a bad picture all the same…

    Independence Day

    Poster:

    Trailer:

    Bechdel Test:

    Pass

    The Representation Test Score: D (3 pts)

    (http://therepresentationproject.org/grading-hollywood-the-representation-test/)

    Independence Day Representation Test

     

    [schema type=”movie” name=”Independence Day” description=”The aliens are coming and their goal is to invade and destroy. Fighting superior technology, Man’s best weapon is the will to survive.” director=”Roland Emmerich” actor_1=”Will Smith” actor_2=”Bill Pullman” actor_3=”Jeff Goldblum”]

    Main Cast Will Smith Captain Steven Hiller, Bill Pullman President Thomas J. Whitmore, Jeff Goldblum David Levinson, Mary McDonnell First Lady Marilyn Whitmore
    Rating PG-13
    Release Date Wed 03 Jul 1996 UTC
    Director Roland Emmerich
    Genres Action, Adventure, Sci-Fi
    Plot The aliens are coming and their goal is to invade and destroy. Fighting superior technology, Man’s best weapon is the will to survive.
    Poster Independence Day
    Runtime 153
    Tagline We’ve always believed we weren’t alone. On July 4th, we’ll wish we were.
    Writers Dean Devlin (written by) &, Roland Emmerich (written by)
    Year 1996
  • The Secret of Kells (2009)

    The Secret of Kells (2009)

    140 Character Movie Review – #140RVW

    A breathtakingly unique animated film – an instant classic. Many different visual styles come together to make something truly spectacular.

    The Secret of Kells

    Spoiler-free Movie Review of The Secret of Kells:

    My daughter has seen a great many movies, being the child of a movie geek (and a patient mom…), but once we watched The Secret of Kells earlier this year, it jumped into her number one slot.

    The Secret of Kells

    Fairly easy to understand why – this is one of the most original and beautiful films I’ve ever seen…

    The Secret of Kells

    Young Brendan (Evan McGuire) is being raised as a monk by his uncle Cellach (Brendan Gleeson), Abbot of the Abbey of Kells in medieval Ireland. Cellach fears the Vikings and spends all of his time fortifying the Abbey. The work of building a great wall has caused him to give up his work as an illuminator, the gifted artists who create ornate decorated manuscripts. Brendan tries to please his uncle, but he yearns to become an illuminator and spends all of his time in the monastery’s scriptorium.

    The Secret of Kells

    When master illuminator Aidan of Iona, fleeing the Vikings, comes to Kells, his work will tempt Brendan to learn more of the world and sneak out of the Abbey into the nearby forest in search of ingredients to make inks. There he meets the mysterious Aisling (Christen Mooney), who protects the forest and helps Brendan, as does Aidan’s cat Pangur Bán.

    The Secret of Kells

    As Brendan struggles to find his path, the appeal of the film for kids is obvious. This isn’t an art movie, despite the sumptuous visuals. Disney could have (should have) made a picture like this. It’s a classic animated film.

    The Secret of Kells

    One of the driving forces behind making this film was to emulate the great work done by Hayao Miyazaki, as well as the traditional art inspired films like The Thief and the Cobbler and Disney’s Mulan. The idea that animated films based on the traditional art of their respective cultures might be interesting was an inspired one, no matter who you credit, and using the gorgeous artwork of medieval Ireland and the Book of Kells is a masterstroke. Scholars and art historians will find plenty to sink their teeth into here as the film directly incorporates elements of the Book of Kells. For the rest of us, it’s simply a strikingly beautiful film.

    The Secret of Kells

    It’s hard not to over-focus on the visuals of The Secret of Kells. The movie is more than just the look of the thing. It’s a very good story with all of the classic conflicts of loyalty, caring, tradition and finding your own way. It just so happens to also be among the most refreshingly original and lovely films you’ll ever lay eyes on.

    The Secret of Kells

    Poster:

    Trailer:

    Bechdel Test:

    Fail

    The Representation Test Score: B (7 pts)

    (http://therepresentationproject.org/grading-hollywood-the-representation-test/)

    Representation Test

    [schema type=”movie” name=”The Secret of Kells” description=”The animated story of the boy behind the famed Book of Kells.” director=”Tomm Moore, Nora Twomey” actor_1=” Evan McGuire” actor_2=”Brendan Gleeson” actor_3=”Mick Lally” ]

    Main Cast Evan McGuire Brendan (voice), Brendan Gleeson Abbot Cellach (voice), Mick Lally Aidan (voice), Christen Mooney Aisling (voice)
    Rating Not Rated
    Release Date Wed 11 Feb 2009 UTC
    Director Tomm Moore, Nora Twomey (co-director)
    Genres Animation, Adventure, Family, Fantasy
    Plot The animated story of the boy behind the famed Book of Kells.
    Poster The Secret of Kells
    Runtime 75
    Tagline
    Writers Tomm Moore (original story), Fabrice Ziolkowski (screenplay)
    Year 2009
  • I Know That Voice (2013)

    I Know That Voice (2013)

    140 Character Movie Review – #140RVW

    Very entertaining, but also surprisingly detailed & informational documentary about one of the most important & least appreciated careers…

    I Know That Voice

    Spoiler-free Movie Review of I Know That Voice:

    This documentary on voice acting and the details of the job is the brainchild of renowned voice actor John DiMaggio, who also narrates. Even if you think you know a lot about how important talented voice actors are to the entertainment industry, there is a lot of great information here. I knew it would be entertaining, but I had no idea how informative it would be.

    I Know That Voice

    In some ways, this film is almost a recruitment tool for future acting talent. The interviewees spend some time looking for some respect as actors and explaining the importance of the gig, but far more time going into detail about the ins and outs of the business. This includes how to develop your craft, what their agent does, what goes into a typical session, the nature of the employment – it’s really quite extensive.

    I Know That Voice

    That doesn’t mean it’s not entertaining or for the casual viewer. The actors are fascinating to listen to and very funny. No amount of listening to them show off their abilities is sufficient, as I was in awe of how completely they control their instrument and the level of understanding that goes into the process of developing a character’s voice. There’s plenty of “funny voices” to laugh at and enjoy, but even more interesting are the discussions of how they arrive at the techniques used.

    I Know That Voice

    The movie is really well put together, with quick editing and fun little visuals to organize the conversations into different topics. It has a very nice flow to it, naturally addressing all parts of the business.

    I Know That Voice

    I Know That Voice is highly recommended for any fan, but particularly those of animation & video games. You’ll gain a whole new perspective on these enormous talents.

    I Know That Voice

    Starring (a list of all of the talented actors interviewed):

    • John DiMaggio
    • Kevin Conroy
    • Jim Cummings
    • Corey Burton
    • Gregg Berger
    • Diedrich Bader
    • Grey DeLisle
    • Colleen O’Shaughnessey
    • Jason Marsden
    • Phil LaMarr
    • Maurice LaMarche
    • Tom Kane
    • David Kaye
    • Josh Keaton
    • Tom Kenny
    • Rachael MacFarlane
    • Laraine Newman
    • Daran Norris
    • Nolan North
    • Rob Paulsen
    • Kevin Michael Richardson
    • Stephen Root
    • Cree Summer
    • Fred Tatasciore
    • Wally Wingert
    • Alanna Ubach
    • Kari Wahlgren
    • Jim Ward
    • James Arnold Taylor
    • Billy West
    • Gary Anthony Williams
    • Jim Meskimen
    • Jessica DiCicco
    • Robin Atkin Downes
    • Nika Futterman
    • Jennifer Hale
    • Jess Harnell
    • Richard Steven Horvitz
    • Elizabeth Daily
    • Nancy Cartwright
    • Hank Azaria
    • Edward Asner
    • Jack Angel
    • Carlos Alazraqui
    • Charles Adler
    • Pamela Adlon
    • Dee Bradley Baker
    • Eric Bauza
    • Jeff Bennett
    • Bob Bergen
    • Robert S. Birchard
    • Noel Blanc
    • Steve Blum
    • Chris Borders
    • Devon Bowman
    • Justin Brinsfield
    • Clancy Brown
    • Gerald Burke
    • David X. Cohen
    • Kevin Connolly
    • Matt Corey
    • Debi Derryberry
    • Mark Evanier
    • Bill Farmer
    • David Faustino
    • Dave Filoni
    • Kelly Ann Foley
    • June Foray
    • Pat Fraley
    • Stan Freberg
    • Morgan Gerhard
    • Frank Gladstone
    • Seth Green
    • Matt Groening
    • Mark Hamill
    • Jim Hanks
    • Peter Hastings
    • David Herman
    • Gordon Hunt
    • Danny Jacobs
    • Tom Lawless
    • Meredith Layne
    • Jeff Lenburg
    • Eric Lewis
    • Jeff ‘Swampy’ Marsh
    • Mona Marshall
    • Chuck McCann
    • Mary Elizabeth McGlynn
    • Tom McGrath
    • Ginny McSwain
    • Breckin Meyer
    • Kate Miller
    • Gary Owens
    • Dan Povenmire
    • Bill Ratner
    • Andrea Romano
    • Marion Ross
    • Will Ryan
    • Lisa Schaffer
    • Jeremy Shada
    • Sara Jane Sherman
    • Tom Sito
    • Dana Snyder
    • Carlos Sotolongo
    • Kath Soucie
    • Wes Stevens
    • Tara Strong
    • James Patrick Stuart
    • Lee Supercinski
    • Jamie Thomason
    • Lauren Tom
    • Andrea Toyias
    • Heather Vergo
    • Janet Waldo
    • Pendleton Ward
    • Nancy Wolfson
    • Cedric Yarbrough
    • Kris Zimmerman
    Poster:

    Trailer:

    The whole thing – I believe this to be an official link to the film. If not official, I will happily take it down.

    Bechdel Test:

    n/a

    The Representation Test Score:

    n/a

    [schema type=”movie” url=”www.iknowthatvoice.com” name=”I Know That Voice” description=”Several voice actors discuss their art and their careers.” director=”Lawrence Shapiro” actor_1=”John DiMaggio” ]

    Main Cast John DiMaggio Himself/Narrator, Kevin Conroy Himself, Jim Cummings Himself, Corey Burton Himself
    Rating
    Release Date 2013
    Director Lawrence Shapiro
    Genres Documentary
    Plot Several voice actors discuss their art and their careers.
    Poster I Know That Voice
    Runtime 90
    Tagline
    Writers Brandon Sonnier
    Year 2013
  • Jack the Giant Slayer (2013)

    Jack the Giant Slayer (2013)

    140 Character Movie Review – #140RVW

    Can someone please wake me when the 3D CGI movie boom is over? This movie sucked. I know I’m usually more political than that, but it did…

    Alternate 140 Character Movie Review – #140RVW

    A lesser writer would make some crack that it’s a standard soulless 3D CG action/fantasy in a magic bean; just add water. Yep, that works…

    Jack the Giant Slayer

    Spoiler-free Movie Review of Jack the Giant Slayer:

    When Jack the Giant Slayer opens, it is with interspersed scenes of main characters Jack & Princess Isabelle as children, excitedly listening to the same bedtime story from opposite ends of the kingdom. The tale of King Erik, who defeated an entire army of giants, fascinates the children in the best scene from the movies. It is so well written, filmed and edited that it raised my expectations for the film. Would that it had not.

    Jack the Giant Slayer

    Because from the start, I knew exactly what this thing was going to be, although I hoped it might outplay its potential. From the initial trailers, this looked to be the sort of CG-infested fantasy film the likes of which are all too familiar these days. But I had hopes for more based largely on the talent involved and the perceived fun tone. I give a little more leash to family friendly adventures that don’t take themselves too seriously.

    Sadly, while the movie is for the most part true to that spirit of adventure, it tries for epic at the same time and lands uncomfortably somewhere in between.

    Jack the Giant Slayer

    The updated telling of Jack and the Beanstalk leaves virtually nothing of the tale intact. Jack (Nicholas Hoult) does indeed get sent to town to sell his cow (actually, it’s a horse in this version, so that isn’t even the same) and comes away with magic beans, but even that is less the action of a simpleton and more a framing device for a complicated plot. It seems that these beans were stolen from the grave of King Erik by Lord Roderick (a moustache twisting Stanley Tucci, who must really be tired of these roles) so that he can rule the realm or something. (I’m giving nothing away here – it’s all laid out within 10 minutes).

    Jack the Giant Slayer

    Princess Isabelle (Eleanor Tomlinson), who is not allowed to be a person because she’s required to be a Disney princess by her father, King Brahmwell (Ian McShane in not to be believed outlandish costumes), who wants her to marry Roderick. So she constantly acts out and explores, leading to her meet cute in the town with Jack. And then another meet cute when she runs off a second time in the first 15 minutes and ends up at his house seeking shelter from a rainstorm. (This film doesn’t believe in doing anything once if it can do it twice.)

    Jack the Giant Slayer

    Said rainstorm causes magic bean to sprout massive beanstalk which sends the Princess up to the land of poor CG. Jack will need to rescue her, helped by Elmont, Captain of the King’s Guard (Ewan McGregor), and his number 2, Crawe (Eddie Marsan). Hindering them will be Roderick & his toady Wicke (Ewen Bremner). The movie doesn’t totally know what to do with Elmont, saddling him with heroism and humor in equal parts. That’s fine, but the humor seems to be taking him down a peg for being a pompous hero, then celebrating his pompous heroism in the next moment.

    Jack the Giant Slayer

    All of this up to this point is flawed but ok. No, the trouble comes as soon as we meet the giants. Yes, plural. There are tons of them. Again, not a problem in of itself, except that these giants hail from the (sadly not lost) land of poor character design. The problem isn’t the motion capture or even the CG itself (though it’s pretty poor), it’s the all too familiar decision to make them all “interesting” and different creatures. So some will be funny and some will be menacing and they all will have easily identifiable features because someone with unwarranted optimism thought they might be able to make action figures out of them if the movie became a hit. (Since every movie since Star Wars has mistakenly thought this would work, I’m going to call it the Kenner Effect.)

    Jack the Giant Slayer

    King of the heap must be Fallon, a two-headed giant who’s sort of the leader. This two-headed thing is not only pointless and ridiculous; it actually marks the moment that the movie crosses the line into cartoon and becomes untenable. One of the heads, the only one that does any real talking, is over-acted by Bill Nighy. His performance is aimed at the two people who found his work in Pirates of the Caribbean too subtle. I love the good roles Nighy has turned in, but the poor ones are staring to cancel out any goodwill he’s fostered.

    It all just descends into CG tomfoolery from that point on.

    Jack the Giant Slayer

    There just isn’t much loveable about the movie. It gets the tone wrong and is full of discrepancies, particularly in the makeup of the characters. Jack is never really anything but a hero – he starts off too strong to ever have any type of arc. Princess Isabelle seems like she’s going to be an actual character, but quickly becomes a damsel in distress. It’s really disheartening.

    Most disappointing, though, is how many talented people went into making this weak of a film. In addition to Singer and all of the actors, DP Newton Thomas Sigel’s talents are completely wasted on 3D digital cameras. The movie looks awful and that’s too bad. It really is a missed opportunity.

    Poster:

    Trailer:

    Bechdel Test:

    Fail

    The Representation Test Score: D (3 pts)

    (http://therepresentationproject.org/grading-hollywood-the-representation-test/)

    Representation Test

    [schema type=”movie” name=”Jack the Giant Slayer” description=”The ancient war between humans and a race of giants is reignited when Jack, a young farmhand fighting for a kingdom and the love of a princess, opens a gateway between the two worlds.” director=”Bryan Singer” actor_1=”Nicholas Hoult” ]

    Main Cast Nicholas Hoult Jack, Stanley Tucci Roderick, Ewan McGregor Elmont, Bill Nighy General Fallon
    Rating PG-13
    Release Date Fri 01 Mar 2013 UTC
    Director Bryan Singer
    Genres Adventure, Fantasy
    Plot The ancient war between humans and a race of giants is reignited when Jack, a young farmhand fighting for a kingdom and the love of a princess, opens a gateway between the two worlds.
    Poster Jack the Giant Slayer
    Runtime 114
    Tagline If you think you know the story, you don’t know Jack.
    Writers Darren Lemke (screenplay) and, Christopher McQuarrie (screenplay) …
    Year 2013
  • The Karate Kid (1984)

    The Karate Kid (1984)

    140 Character Movie Review – #140RVW

    30 years (&1 week) ago, Daniel-san crane kicked his way into theaters. Still a fantastic picture, funny & inspirational to me & my daughter.

    The Karate Kid

    Spoiler-free Movie Review of The Karate Kid:

    As I’ve been writing these reviews for this blog, I’ve tried to focus on a number of movies as they celebrate big anniversaries. None have been more satisfying as the 30 year films, as when I rewatch them now, my daughter is seeing them for the first time at the same age that I was when they were released. It’s a great chance to see if the movies resonate with a modern eleven year old as they did 30 years ago.

    The Karate Kid was right in my wheelhouse when it debuted in 1984. I was the perfect age for the tale of an awkward bullied kid who learns balance through karate from a mysterious and wise mentor. Like virtually everyone else, I remember kicking and punching all the way back to the car after leaving the theater.

    The Karate Kid

    It’s an inspiring movie, and a fun one. It’s Rocky, essentially. The films share a director, so that’s probably intentional. Which is not to say that The Karate Kid is not an original movie, just that it has a common ancestry with the Rocky franchise and a similar approach to crafting feel-good sports stories. (Among other things, the Survivor song “You’re the Best” that plays during the tournament was written for Rocky III before being replaced with “Eye of the Tiger” from that same band.)

    The story by Robert Mark Kamen (near the beginning of what would be a hugely successful career) is fresh and solid. It borrows the usual high school conflicts and relationships but makes it all new again with the mentoring relationship of Miyagi.

    The Karate Kid

    The acting is fun, particularly with the casting of Noriyuki “Pat” Morita as Kesuke Miyagi. Morita would receive an entirely deserved Best Supporting Actor Oscar nomination.

    Did you know they wanted Mako to play Mr. Miyagi but he was already committed to Conan the Destroyer? See, there’s exactly one good thing about Conan the Destroyer

    The Karate Kid

    It can’t be overstated how hugely successful the pairing of Morita and Macchio is. The obvious respect and caring between these two entirely make the picture. It’s a great and unique partnership, not unseen in film previously, but very fresh and it gives this movie a depth that may not come across from the story alone.

    Macchio was 22 at time of filming. Just reflect on that for a minute as you look at the stills. This guy would play young for much of his early career, but play well. I’ve always enjoyed his pictures.

    The Karate Kid

    You know what I never really noticed the 20-odd times I saw this movie in the 80’s? Daniel-san is kind of a jerk. I mean, I obviously was aware of how whiny he was, but he was a much more sympathetic character when I was 11 than he is now. In his dealings with would-be girlfriend Ali (Elizabeth Shue in her film debut), he’s a total tool. You want her to slap him around. Her character is really weak.

    And don’t forget William Zabka as Johnny Lawrence, the “real” karate kid, according to Barney Stinson…

    The Karate Kid

    The Karate Kid is a quintessential 1980’s movie, with all the good and bad that entails. It is fun and well-made and surprisingly holds up very strongly today.

    The Karate Kid

    Poster:

    Trailer:

    Bechdel Test:

    Fail

    The Representation Test Score: C (5 pts)

    (http://therepresentationproject.org/grading-hollywood-the-representation-test/)

    The Karate Kid Representation Test

    [schema type=”movie” name=”The Karate Kid” description=”A handyman/martial arts master agrees to teach a bullied boy karate and shows him that there is more to the martial art than fighting.” director=”John G. Avildsen” actor_1=”Ralph Macchio” ]

    Main Cast Ralph Macchio Daniel, Pat Morita (as Noriyuki ‘Pat’ Morita) Miyagi, Elisabeth Shue Ali, Martin Kove Kreese
    Rating PG
    Release Date Fri 22 Jun 1984 UTC
    Director John G. Avildsen
    Genres Action, Drama, Family, Sport
    Plot A handyman/martial arts master agrees to teach a bullied boy karate and shows him that there is more to the martial art than fighting.
    Poster The Karate Kid
    Runtime 126
    Tagline Only the ‘Old One’ could teach him the secrets of the masters.
    Writers Robert Mark Kamen (written by)
    Year 1984