Category: Reviews

  • Lock In (2014)

    Lock In (2014)

    Lock In
    Lock In by John Scalzi

    My rating: 5 of 5 stars

    In John Scalzi’s new sci-fi thriller, Lock In, human civilization has been ravaged by a disease that kills many and leaves many more in a coma-like state. At the outset, Haden’s Syndrome comes on like Avian flu before escalating to meningitis in a second stage. And then it gets really tricky…

    Scalzi has come up with a fascinating and wholly unique premise; that of humans trapped in their own bodies – fully aware but incapable of any physical movement or speech. The syndrome and the resultant solution – transmitting consciousness into a robot (“threep”) or another receptive human being (“integrator”) make for fantastic science-fiction by themselves, but it is the larger issues created by this new reality that make the tale so interesting. As with most great sci-fi, the novel deals with troubling larger issues of identity, reality, morality, discrimination and what it means to be human.

    The story is told from the perspective of Chris Shane, a “Haden” child of a famous businessman & former basketball player. The novel opens with Shane’s first week as an FBI agent, ambulating in a high-end threep (so named for the robots resemblance to a certain famous film robot). Shane’s partner is a former integrator and the two are uniquely qualified for their first case together, that of a murder that may have been perpetrated by an integrator – or someone else in their head…

    The story mostly plays out as a police procedural mystery, but a spellbinding one. It is absolutely a captivating read that I could barely stand to stop reading. The ending was slightly less satisfying, being a bit too neatly wrapped up for a novel that raised so many interesting and thorny problems, but I’m not totally sure I wasn’t just annoyed that the story was ending…

    The characters are very interesting with great dialogue, although the protagonist unsurprisingly is drastically more developed than any other individual. One sort of remarkable note about the character: the audiobook, produced by Audible Studios was actually created in two separate versions with different narrators, Amber Benson & Wil Wheaton. When they first promoted this, they offered both editions for the price of one if you pre-ordered – I was intrigued, so I did.* The author said this: “There’s a really excellent reason for Lock In to have two entirely different versions.” I have to admit that I read/listened to the entire novel without ever realizing why. It was only afterwards, when I was no longer afraid of spoilers that I listened to an interview with the narrators and was made aware that the author never specifies the gender of the main character. I was stunned – equally impressed that Scalzi pulled this off and that I read the entire book without recognizing this. While in another situation I might have interpreted my failure to pick up on this lack of detail about the main character as inattentive reading on my part, I can clearly recognize the skill on the author’s part here; he makes the gender irrelevant.

    This is really rather impressive, and it’s not the only instance of this skill in the novel, although I don’t want to spoil the story. I’m not spoiling anything by noting the casual introduction of gay characters in the same manner; the author is merely fleshing out descriptive information about characters in the same way he notes physical appearance or mannerisms. There’s nothing revolutionary going on here, but utilizing gay characters in non-stereotypical ways – allowing gays to be powerful, corporate jerks just like everyone else is refreshing and another great example of how elegantly Scalzi writes. Much like the novella that teased this novel, Unlocked: An Oral History of Haden’s Syndrome, the story feels like something the author just observed and reported; the writing seems effortless (I know it isn’t).

    The action in Lock In is well written, but this really is a book more about ideas. It would be hard to believe that many of the issues the characters struggle with will not rear their heads in our lifetime. The prospect of a massive viral outbreak and our inability to stem it is bone-chilling plausible as are the myriad political, technical and societal responses dealt with here.

    Lock In is top-shelf sci-fi and highly recommended. Now, do we get a sequel?


    Update #1 – 09/04/2014

    * I sort of half-read, half-listened to the the story. Although I initially bought the audio version, it was so immediately satisfying that I picked up the Kindle version so I could switch back and forth to maximize reading time. I started with the Wheaton version and will listen to Benson’s narration on my re-read, which will start in about 5, 4, 3…

    I do highly recommend the well-made audio versions, found here: http://www.audible.com/mt/LockIn?bp_ua=yes&source_code=AUDGBWS0701149A1E


    Update #2 – 11/10/2014

    Just finished the Amber Benson narrated version, which I’ve been picking away at a bit at a time for the past 2 months. It’s equally fantastic! It’s very interesting to hear another narrator of equal quality with an entirely different take on each character and situation. Made the story fresh and different on my second read.

    [schema type=”book” url=”http://whatever.scalzi.com/” name=”Lock In” description=”A novel of our near future, from one of the most popular authors in modern SF Fifteen years from now, a new virus sweeps the globe. 95% of those afflicted experience nothing worse than fever and headaches. Four percent suffer acute meningitis, creating the largest medical crisis in history. And one percent find themselves “locked in”—fully awake and aware, but unable to move or respond to stimulus. One per cent doesn’t seem like a lot. But in the United States, that’s 1.7 million people “locked in”…including the President’s wife and daughter. Spurred by grief and the sheer magnitude of the suffering, America undertakes a massive scientific initiative. Nothing can restore the ability to control their own bodies to the locked in. But then two new technologies emerge. One is a virtual-reality environment, “The Agora,” in which the locked-in can interact with other humans, both locked-in and not. The other is the discovery that a few rare individuals have brains that are receptive to being controlled by others, meaning that from time to time, those who are locked in can “ride” these people and use their bodies as if they were their own. This skill is quickly regulated, licensed, bonded, and controlled. Nothing can go wrong. Certainly nobody would be tempted to misuse it, for murder, for political power, or worse…” author=”John Scalzi” publisher=”Tor Books” pubdate=”2014-08-26″ isbn=”0765375869″ ebook=”yes” hardcover=”yes” ]

  • Unlocked: An Oral History of Haden’s Syndrome (2014)

    Unlocked: An Oral History of Haden’s Syndrome (2014)

    Unlocked: An Oral History of Haden's Syndrome
    Unlocked: An Oral History of Haden’s Syndrome by John Scalzi

    My rating: 5 of 5 stars

    I just wrote possibly my longest book review ever (odd considering this is a novella) and lost it when I hit save because I changed editions mid-review. Sigh…

    Ok, MUCH shorter now:

    Unlocked is a novella that appeared on TOR.com as a preview or teaser for Lock In, which just came out. The story is in the “oral history” style of writing, and gives the back story behind Haden’s Syndrome, a super-flu type disease which radically affects all of human civilization in author John Scalzi’s new book.

    I’d never read anything in this style previously – it’s a fantastic exposition tool here and far more interesting than I would have expected. The novel itself has a clever tool of opening with an introduction written like an online encyclopedia article. It is very effective and gives all of the information you need to enter the world the author has created for his novel. But the additional background provided in Unlocked certainly provides greater depth and clarity to the overall story.

    Had I been aware of the publication of this story earlier this year it probably would have been better to read it at the time, further whetting my appetite for the full novel. But I was already pretty eager for Lock In as it was.

    My own odd method of consuming the story worked pretty well in hindsight. I purchased the Audible version of Lock In, narrated by Wil Wheaton (there’s also a version narrated by Amber Benson) and listened to the first 4-5 chapters yesterday. Then last night in bed when I wanted to read not listen, I purchased and knocked this out quickly. It absolutely added to my enjoyment of Lock In and proceeded to purchase the Kindle version of the novel as well, and stayed up too late continuing the story. It’s a grabber…

    Long story short (too late), you don’t need to read this in order to enjoy Lock In, but it will certainly enhance your appreciation. It’s not a long read, but more substantial than I expected and very engaging on it’s own. And it will absolutely make you want to continue the story…

    Highly recommended.

    [schema type=”book” url=”http://whatever.scalzi.com/” name=”Unlocked: An Oral History of Haden’s Syndrome” description=”A new near-future science fiction novella by John Scalzi, one of the most popular authors in modern SF. “Unlocked” traces the medical history behind a virus that will sweep the globe and affect the majority of the world’s population, setting the stage for Lock In, the next major novel by John Scalzi. Available as an e-book or via Tor.com, acquired and edited for Tor.com by senior editor Patrick Nielsen Hayden http://www.tor.com/stories/2014/05/unlocked-an-oral-history-of-hadens-syndrome-john-scalzi” author=”John Scalzi” publisher=”Tor Books” pubdate=”2014-05-07″ isbn=”1466871792″ ebook=”yes” hardcover=”yes” ]

  • Mary Poppins (1964)

    Mary Poppins (1964)

    140 Character Movie Review – #140RVW

    “Practically perfect in every way.” – It’s an exaggeration, but not much of one. Sherman Brothers finest moment seals the deal on a classic. Mary Poppins

    Spoiler-free Movie Review of Mary Poppins:

    To save time, I’m going to list all the problems with this movie first – because there really aren’t many:

    • The actors are wearing more makeup than seems possible. It looks like they wandered in from a black & white silent film and the makeup artists didn’t know it was 1964.
    • The whole “I Love To Laugh” sequence with the gifted character actor Ed Wynn, while very good, is wholly unnecessary and adds to the run time of an already long film. It’s an extra adventure that doesn’t fit in with the rest of the storyline. It should have been excised and the story would have been much more streamlined.
    • When Jack Warner passed over Julie Andrews for the film version of My Fair Lady (which she had been starring on Broadway) in favor of Audrey Hepburn it freed her up for Walt Disney to cast her in her first film performance. That’s not the problem. The problem is that Andrews got the Best Actress Oscar over Hepburn, for which I call shenanigans. Andrews is masterful in this picture, but I don’t believe her performance was better than Hepburn’s. I wonder if Andrews got the edge because she did her own singing (Audrey was looped) or out of sympathy for not landing the Eliza Doolittle role she had made famous. Or maybe someone wanted to show up Jack Warner. In any event, it’s sort of like arguing between best Beatles albums, since they are both magnificent…

    Mary Poppins Of course, that I’m classifying the beating out Audrey for an award a problem shows just how deep I have to dig for any real criticism of the picture. (Note: I didn’t include Dick Van Dyke’s truly dreadful cockney accent because it’s one of those things that’s so bad it’s almost good. Not only that, it surely convinced filmmakers Albert Broccoli & Ken Hughes that he should just skip the English accent for Chitty Chitty Bang Bang entirely, so there’s that.) Mary Poppins The story of bringing author P.L. Travers’s character to movie screens is famously if rather inaccurately chronicled in the feature film Saving Mr. Banks, but even before that picture it was interesting stuff, with Disney’s struggles with Travers being legendary. In the end, they both were probably right in their instincts; Travers was rightfully protective of her work if possibly too attached to recognize how much Disney’s influence could do for her character – Disney and company made a few major missteps with the characters while simultaneously adding immeasurable benefits in the adaptation. Mary Poppins It really is a tremendous picture. The plot doesn’t need repeating, as probably everyone has seen the film at some point in the past 50 years, suffice it to say that it’s a classic story, based loosely on the first Mary Poppins novel with some of the second in there. You can’t call any 139 minute film streamlined and it certainly isn’t – it could probably do with a haircut, but at that time many pictures were longer. (Although there’s no official intermission in the movie, there probably should have been and many theaters took it upon themselves to add one anyway.) Mary Poppins The acting is over the top as only 1960’s movies can be, but that doesn’t mean it isn’t wonderful. I find the whole picture lacking in subtlety and at times it’s hard to shake the impression that everyone is yelling at you. Your enjoyment of the film likely depends on your feelings on Julie Andrews’ performance. It’s a bit much for me personally, but unquestionably excellent and star-making. Van Dyke is simply wonderful in the picture – one of the all-time great physical actors. David Tomlinson turns in a great performance that works much better the older you are. The film as a whole possesses that quality of being layered and like many great films you take away different things at different times of your life. Mary Poppins The music is a complete triumph, the high point in the career of the Sherman Brothers. No wonder they were asked to essentially make it twice with Chitty Chitty Bang Bang. Mary Poppins Mary Poppins would prove to be one of the biggest hits of Walt Disney’s filmmaking career and is regarded by many as his greatest film. It is marvelous.

    Poster:

    Trailer:

    Bechdel Test:

    Pass

    The Representation Test Score: B (9 pts)

    (http://therepresentationproject.org/grading-hollywood-the-representation-test/) Mary Poppins Representation Test   [schema type=”movie” url=”http://movies.disney.com/mary-poppins” name=”Mary Poppins” description=”A magic nanny comes to work for a cold banker’s unhappy family.” director=”Robert Stevenson” actor_1=”Julie Andrews” actor_2=”Dick Van Dyke”]

    Main Cast Julie Andrews Mary Poppins, Dick Van Dyke Bert/Mr. Dawes Senior (also as Navckid Keyd), David Tomlinson Mr. Banks, Glynis Johns Mrs. Banks
    Rating G
    Release Date Fri 11 Sep 1964 UTC
    Director Robert Stevenson
    Genres Comedy, Family, Fantasy, Musical
    Plot A magic nanny comes to work for a cold banker’s unhappy family.
    Poster Mary Poppins
    Runtime 139
    Tagline See It Again and Again with that Supercalifragilistic Music! [re-release Australia 1976]
    Writers Bill Walsh (screenplay) &, Don DaGradi (as Don Da Gradi) (screenplay) …
    Year 1964
  • Dreamscape (1984)

    Dreamscape (1984)

    140 Character Movie Review – #140RVW

    Not at all bad, but could have been great. All the elements are here for fantastic sci-fi movie, but they went more for low-quality horror.

    Dreamscape

    Spoiler-free Movie Review of Dreamscape:

    What a missed opportunity this movie is. It’s so close to being great – it just doesn’t quite get there and may have missed out on good in the attempt.

    Dreamscape

    Dennis Quaid plays Alex Gardner, who was a psychic wiz-kid in studies with Dr. Paul Novotny (Max von Sydow) before he tired of being a test subject and went out into the world to use his gifts to become a petty gambler. Just as he’s pushed his luck too far he is recruited/kidnapped to pick up where he left off with his former mentor who is now working in the area of shared dreams. Novotny, along with Jane DeVries (Kate Capshaw) is trying to combat nightmares and sleep disorders by linking a psychic to a dreamer where the psychic can diagnose and/or cure the disorder. Of course the mind control possibilities are endless, which is why the research is government funded and shadowy power broker Bob Blair (Christopher Plummer) is maneuvering to get the President of the United States (Eddie Albert) under control.

    Dreamscape

    The potential is all there – it’s a great setup. It sounds better than it is, though and there are a few reasons why:

    1. The marketing is misleading. All of the descriptions I’ve read from the press materials make it seem as though the President is trapped inside the dreamworld and needs to be rescued. That’s just factually untrue, but would have made a more interesting story.
    2. This impression is supported by the gorgeous poster by master artist Drew Struzan, which may be the best thing about the movie. Look at this thing; tell me this doesn’t look exactly like the sequel to Indiana Jones and the Temple of Doom – which came out only a few months earlier and also featured Struzan’s artwork.Dreamscape
    3. The effects are simply dreadful. I really try hard not to pick on older films for outdated effects, but these are fairly poor even for 1984.
    4. The tone is all wrong. The filmmakers seem unsure if they are making a sci-fi thriller, a political thriller or a horror picture. The mix of all three cheapens all.

    Dreamscape

    This last reason is the main problem with the film. It’s less than 100 minutes and that’s not a lot of time to make a good mind-bending movie. So they don’t. There’s hints of some deep psychological/philosophical stuff, but they don’t run with it and that’s a fatal mistake. Instead it lives more in the horror genre where it does ok, but it’s not as effective as other genre films. This was the second film released with the new PG-13 rating and I suspect they were a little unclear on who the audience was going to be and therefore how far to go.

    Dreamscape

    As sci-fi it’s pretty good; as a thriller it stinks. There’s actually a chase scene on a horse racetrack. There’s no real intrigue – you know who the bad guy is and what his game is almost instantly. The pseudo-gangsters aren’t threatening and the whole world seems underpopulated. I don’t know if the low budget is the reason, but the whole affair feels quite small-scale – lots of mostly empty rooms and barren sets with few actors.

    Dreamscape

    There are some other frustrating things about the picture. They got maestro Maurice Jarre to do the score; but he insisted on doing an electronic score. So close to greatness…

    Dreamscape

    Dreamscape is a terribly frustrating picture because it coulda/shoulda been so good. It is still an entertaining movie and I enjoyed it, but the story just doesn’t live up to its premise. There’s a great movie in here, they just couldn’t quite coax it out, and by focusing on the horror elements they cheapened the story. I’d say it’s desperately in need of a remake, but the ground was later covered so much better by The Matrix, Dark City and particularly Inception that there may not be enough legroom. I haven’t read The Dream Master, the novel by Roger Zelazny on which this picture was partly based, but it sounds like it may have enough meat on the bone to justify a re-imaging for another film.

    Poster:

    Trailer:

    Bechdel Test:

    Fail

    The Representation Test Score: D (2 pts)

    (http://therepresentationproject.org/grading-hollywood-the-representation-test/)

    Dreamscape Representation Test
    [schema type=”movie” name=”Dreamscape” description=”A young psychic on the run from himself is recruited by the government to save the US president whose mind is trapped inside the dreamworld.” director=”Joseph Ruben” actor_1=”Dennis Quaid” actor_2=”Max von Sydow” actor_3=”Christopher Plummer” actor_4=”Kate Capshaw”]

    Main Cast Dennis Quaid Alex Gardner, Max von Sydow Doctor Paul Novotny, Christopher Plummer Bob Blair, Eddie Albert The President
    Rating PG-13
    Release Date Wed 15 Aug 1984 UTC
    Director Joseph Ruben
    Genres Adventure, Sci-Fi, Thriller, Horror
    Plot A young psychic on the run from himself is recruited by the government to save the US president whose mind is trapped inside the dreamworld.
    Poster Dreamscape
    Runtime 99
    Tagline Alex Gardner has an extraordinary gift. To keep it may cost him his life…
    Writers David Loughery (story), David Loughery (screenplay) …
    Year 1984
  • Red Dawn (1984)

    Red Dawn (1984)

    140 Character Movie Review – #140RVW

    Much more serious than I remember this being. Decades of people yelling “Wolverines” made me remember the movie as campy & it really isn’t.

    Red Dawn

    Spoiler-free Movie Review of Red Dawn:

    Wow, they don’t waste a lot of time on this one – there’s a blitz of exposition blasted on screen too fast to read, then about two minutes of seeing a couple of teenagers, without even bothering to name them before the shooting starts. The action starts in about minute four. Within 6 minutes it’s a full war. I wonder if director John Milius was double-parked or something.

    Red Dawn

    Red Dawn is possibly most noteworthy for being the first film released with the new PG-13 rating. (The Flamingo Kid earned the rating first, but was delayed in coming to market.) What’s interesting about this distinction is that in no way should this have been rated anything but R, whether PG-13 existed at the time or not. I’m a firm believer that any movie containing kids killing kids should earn an immediate R. (I’m looking at you, Hunger Games…) And this is an exceptionally violent movie by any measure (including the tasteless on-screen “Carnage Counter” feature on the DVD), considered at the time to be the most violent movie ever released with a rate of 2.23 acts of violence per minute.

    Red Dawn

    It’s a serious movie. Having not seen this since the 80’s I had vague recollections of this being a slightly more violent The Outsiders. But the age of the protagonists is the only thing that separates Red Dawn from a full-on war film, and a rough one at that. Sure, it has a Outsiders-styled cast, but since the movie spends a minuscule amount of time learning anything about these characters, they could just as easily be 22 year old soldiers. It’s a good thing so many of the cast members went on to be famous, because if I didn’t recognize the actors I’d have no way of telling the characters apart.

    Red Dawn

    It’s fascinating to see a war breaking out in North America, which is really the big draw with this picture. Ever since the introduction of nuclear weapons, it’s been hard to imagine a World War III fought with conventional weaponry and so Red Dawn plays out like an interesting “what if ” scenario. Admittedly, we learn over the course of the picture that limited nuclear strikes have taken place, wiping out major strategic cities, but this bit of exposition is delivered halfway through the picture during a rare non-violent moment and so you might miss it.

    Red Dawn

    And that’s really where a strength becomes a weakness. One of the interesting stylistic choices of the film is leaving these kids so completely in the dark, cut off from all information. It is a very effective bit of storytelling for the first act of the film, but it isn’t really sustainable, so the solution to this problem literally falls out of the sky in the form of downed fighter pilot Lt. Col. Andrew Tanner (Powers Boothe). Tanner is able to interject some perspective and info about what is happening in the outside world. It’s a necessary character to introduce, since the audience has surely been wondering why the Russians and Cubans are bothering with this little town in Colorado of seemingly no strategic importance. But it’s too little too late. We want to see more of what is happening elsewhere. It has been really interesting to see what goes on in one small town in an event such as this and it gives the story weight. But the tantalizing taste of the larger struggle that Tanner’s info suggests made me impatient with the limited story of one group of insurgents. The efforts of these kids are fascinating but credulity starts to wane as the story progresses.

    Red Dawn

    I’m a sucker for a Cold War story and Red Dawn produces images and a scenario not previously explored. It partially slakes my desire for a Cold War land war film. (I’d love it if someone would produce a film version of Tom Clancy’s Red Storm Rising.) It’s far from a perfect film (I’m not even sure it’s a good film) – it has huge pacing problems, little to no characterization, no real introduction and a non-ending. It also feels a bit like right-wing propaganda with a touch of Lord of the Flies brutality. But it is a unique picture that is better than I remembered it, and I love the Basil Poledouris score.

    Poster:

    Trailer:

    Bechdel Test:

    Fail

    The Representation Test Score: C (4 pts)

    (http://therepresentationproject.org/grading-hollywood-the-representation-test/)

    Red Dawn Representation Test

    [schema type=”movie” name=”Red Dawn” description=”It is the dawn of World War III. In mid-western America, a group of teenagers bands together to defend their town, and their country, from invading Soviet forces.” director=”John Milius” actor_1=”Patrick Swayze” actor_2=”C. Thomas Howell” actor_3=”Lea Thompson” actor_4=”Charlie Sheen” actor_5=”Darren Dalton” actor_6=”Jennifer Grey” actor_7=”Brad Savage” actor_8=”Doug Toby”]

    Main Cast Patrick Swayze Jed, C. Thomas Howell Robert, Lea Thompson Erica, Charlie Sheen Matt
    Rating PG-13
    Release Date Fri 10 Aug 1984 UTC
    Director John Milius
    Genres Action, Drama, War
    Plot It is the dawn of World War III. In mid-western America, a group of teenagers bands together to defend their town, and their country, from invading Soviet forces.
    Poster Red Dawn
    Runtime 114
    Tagline A full scale military invasion by foreign troops begins. Total surprise. Almost total success . . . .
    Writers Kevin Reynolds (story), John Milius (screenplay) …
    Year 1984