Category: Reviews

  • The Gods Must Be Crazy (1980)

    The Gods Must Be Crazy (1980)

    140 Character Movie Review – #140RVW

    Adorable little movie that reeks of amateurism but is possibly more delightful for it. My first “indie” movie, really uneven but still fun.

    The Gods Must Be Crazy

    Spoiler-free Movie Review of The Gods Must Be Crazy:

    The Gods Must Be Crazy is probably the first independent feature film I ever saw, although that definition is questionable since it was a studio production in South Africa. But it was certainly the first non-mainstream film I went to in the theaters. I certainly saw The Red Balloon and probably a lot of other foreign films in libraries and in school growing up, but this was the first picture that played in cinemas alongside the blockbusters.

    The Gods Must Be Crazy

    Actually, I saw it in a little theater in Needham, Massachusetts when my aunt took a bunch of us cousins. She raved about it, talking at length about this record-breaking film. Needham had apparently got a print of the film and the townspeople went so nuts over it that it played all summer long, setting some kind of record. From my research 30 years later, this appears to have been the case in a number of markets. The film was made and released in September 1980 in South Africa, slowly adding locations around the world before finally landing in limited markets in the United States in July 1984. Despite the brutal competition of that summer, the film became a cult classic and broke all kinds of box office records for a foreign film. Rewatching the film for the first time 30 years later, it’s easy to see why.

    The Gods Must Be Crazy

    It isn’t very promising at first, with dreadful 1980’s nature film narration over a ton of stock shots of the bush and alternatively city life in what looks like Johannesburg. This is unfortunately a running problem with the film, as it appears to have been made on a shoestring budget with mono sound and low quality film stock. The footage seems to speed up randomly, often for comic effect, but sometimes just to speed up the run time. The other enormous difficulty is that the original voices were Afrikaans and they have been very poorly dubbed in English. The dubbing isn’t really the problem so much as the choice of voiceover actors – they are completely inappropriate.

    The Gods Must Be Crazy

    The story, however, makes up for any and all faults and you quickly forget everything else. The plot is simply told: the San tribe is living a peaceful and simple life away from the modern world in the Kalahari Desert when a glass Coca-Cola bottle is dropped from a passing plane into their midst. While at first they marvel at this new object, using it as a tool, it soon introduces new feelings of greed and jealousy and before long they are fighting over it. Recognizing the negative influence this foreign object has created, bushman Xi (Nǃxau) tries to return it to the gods whom he believes sent this instrument to them. When throwing the bottle into the air has no effect, he resolves to take the object to the end of the world (“about twenty days’ walking, or even forty”) and throw it off.

    A second storyline involves Kate Thompson (Sandra Prinsloo), a city-dweller who tires of the “civilized” world and moves to Botswana to become a teacher. There she will encounter biologist Andrew Steyn (Marius Weyers), who goes absolutely to pieces around women, becoming the world’s clumsiest man. The movie quickly shifts into slapstick that is sort of tiresome, but commits to it so completely that I found myself won over by its dedication. There’s a third storyline about a revolutionary leader/terrorist that doesn’t totally work but is sort of necessary for the plot.

    The Gods Must Be Crazy

    Everything about the movie is a bit overdone, from the characterization of the bad guys, to the incessant slapstick humor and the heavy-handed symbolism and commentary on the “civilized” world. And yet the movie is very enjoyable. There’s an innocence to the proceedings that is somehow charming and the flaws seem to melt away next to the good heart on display. I know there was a sequel, but I can’t imagine why, as The Gods Must Be Crazy is a wonderful little film that with luck will never be remade and is still worthwhile 30 or more years later.

    Poster:

    Trailer:

    Bechdel Test:

    Fail

    The Representation Test Score: C (5 pts)

    (http://therepresentationproject.org/grading-hollywood-the-representation-test/)

    The Gods Must Be Crazy Representation Test

    [schema type=”movie” name=”The Gods Must Be Crazy” description=”A comic allegory about a traveling Bushman who encounters modern civilization and its stranger aspects, including a clumsy scientist and a band of revolutionaries.” director=”Jamie Uys” actor_1=”N!xau” ]

    Main Cast N!xau Xi, Marius Weyers Andrew Steyn, Sandra Prinsloo Kate Thompson, Louw Verwey Sam Boga
    Rating PG
    Release Date Wed 10 Sep 1980 UTC
    Director Jamie Uys
    Genres Action, Comedy
    Plot A comic allegory about a traveling Bushman who encounters modern civilization and its stranger aspects, including a clumsy scientist and a band of revolutionaries.
    Poster The Gods Must Be Crazy
    Runtime 109
    Tagline The critics are raving… the natives are restless… and the laughter is non-stop!
    Writers Jamie Uys (written by)
    Year 1980
  • Green Lantern (2011)

    Green Lantern (2011)

    140 Character Movie Review – #140RVW

    These 2 things may seem mutually exclusive but they’re not: 1) Green Lantern isn’t as bad as they say. 2) What’s wrong with it? Everything.

    Green Lantern

    Spoiler-free Movie Review of Green Lantern:

    I have never read a Green Lantern comic. He sometimes would show up in other DC Comics I read, but even then it was pretty rare. So my review is limited to the merits of the movie as a standalone and not on any adaptation criteria. So if you are a fan of the comic series or character, I will probably annoy you with the following statement: Green Lantern is not an interesting character. Maybe that’s just in this movie – it probably is. But most of the problems with the Green Lantern film don’t strike me as poor filmmaking…

    I wanted to like this movie – I really did. And I don’t hate it. But it just really doesn’t work very well.

    Green Lantern

    The problems start almost immediately – there’s something about a narrated introduction that fills me with dread. It means that you instantly are going to be told things that you are expected to remember – that isn’t a problem. No, the problem is that my silly meter is very often set off by a whole bunch of exposition filled with silly names and suspect logic. Sometimes this isn’t a deal-killer. Off the top of my head I can think of three great films with silly opening narration (written or spoken): Highlander, Terminator & Blade Runner. Sometimes you just have a bunch of info that you have to get across or the movie will be confusing. But the roll-out of Green Lantern had me rolling my eyes before the titles:

    The immortals or Guardians on the planet Oa have harnessed the emerald energy of willpower. (The power of this story is based on a color?) They divided the universe into 3,600 sectors and sent out a bunch of green rings which would choose worthy peacekeepers, so naturally these oddly-numbered recruits would be known as the Green Lantern Corps. (Wait a minute, I thought the ring was the magic item? Now it’s a lantern? Did they send lanterns out to everyone, too? Why aren’t they called the Green Ring Corps?)

    Green Lantern

    I know this sounds like a really nit-picky point, but I think this is part of the trouble I have with the character. There’s just too much going on. There’s a ring, but it needs to get charged by a lantern, which needs to get charged by a planet, which was created by weird looking aliens that are immortal, which is another way of saying they are stuck looking like that forever. It all takes place in space. And there are three thousand and six hundred of them. Oh, and the power doesn’t come from the lantern or the ring or the planet, it comes from willpower. Which is green. Not yellow, because that’s fear. Fear is more powerful but it corrupts. I don’t know what red does…

    Green Lantern

    Parallax is the main villain. He is gross – really gross. All yellow and brown with an enormous forehead. In fact, there are a lot of ugly characters in this movie. And not just the villains. I consider this a bit of a deal-killer. Again, maybe I’m being petty and maybe long-time readers were thrilled to see Sinestro as pink with a widow’s peak and David Niven mustache. Or the fish-guy or Hector Hammond (also mustachioed…hmm…). But I think I speak for most of us when I say that watching the hero fight a nauseating brownish-yellow cloud and a sweaty guy with greasy hair and a bulbous forehead is entirely joyless.

    Green Lantern

    I think we were all a little confused and wary when it was announced that the suit would be entirely digital. I’m going to say that again – the main character’s costume is CG. How could you possibly manage a budget when the costume has to be created for every frame that the title character appears in? They certainly didn’t skimp anywhere else, because the effects are top-shelf. Like the rest of the movie, they look weird and have questionable design, but they are unquestionably well done.

    The action, too, is well done if not riveting. The actors themselves are fine. I don’t really even have a problem with Reynolds in the title role; he plays it too goofy, but again, I think that’s the filmmaker’s choice. And I’m not going to criticize anyone who had a hard time taking this seriously.

    Green Lantern

    There’s a sameness to Green Lantern that is ultimately the most damning thing about it. The comic-book action is good but can leave you bored because of any number of reasons: story, design, characters. DC obviously swung for the fences with this one but really was undone because of the fundamental shakiness of the character. It may work very well on paper and I’ve even seen a fairly enjoyable animated movie, but for live action it’s just a little out there. That said, I think that the character would probably work much better in a Justice League movie. I’m just not sure that he’s strong enough to support his own franchise.

    Poster:

    Trailer:

    Bechdel Test:

    Fail

    The Representation Test Score: D (3 pts)

    (http://therepresentationproject.org/grading-hollywood-the-representation-test/)

    Green Lantern Representation Test

     

    [schema type=”movie” name=”Green Lantern” description=”A test pilot is granted an alien ring that bestows him with otherworldly powers that inducts him into an intergalactic police force.” director=”Martin Campbell” actor_1=”Ryan Reynolds” actor_2=”Blake Lively” actor_3=”Peter Sarsgaard” actor_4=”Mark Strong” ]

    Main Cast Ryan Reynolds Hal Jordan/Green Lantern, Blake Lively Carol Ferris, Peter Sarsgaard Hector Hammond, Mark Strong Sinestro
    Rating PG-13
    Release Date Fri 17 Jun 2011 UTC
    Director Martin Campbell
    Genres Action, Adventure, Sci-Fi, Thriller
    Plot A test pilot is granted an alien ring that bestows him with otherworldly powers that inducts him into an intergalactic police force.
    Poster Green Lantern
    Runtime 114
    Tagline One of us… becomes one of them.
    Writers Greg Berlanti (screenplay) &, Michael Green (screenplay) …
    Year 2011
  • Guardians of the Galaxy (2014)

    Guardians of the Galaxy (2014)

    140 Character Movie Review – #140RVW

    Wow. I don’t know if this is the best Marvel movie so far, but it’s definitely the most fun. An absolute blast, beginning to end. #iamgroot

    Guardians of the Galaxy

    Spoiler-free Movie Review of Guardians of the Galaxy:

    I was very nervous about this one. I honestly had never even heard of the comic when the film was announced, and once it was described to me I thought that Marvel might be endangering their win streak. They’re feeling pretty good about themselves over there since all of their films have been big hits, and the announcement of a film version of Ant-Man and a movie starring a talking raccoon seemed like hubris. I no longer really have any doubt about their creative direction after they made this one into a smash hit. (Except for one thing: the practice of announcing sequels to films that haven’t been released yet – that needs to stop yesterday. It’s obnoxious and presumptuous.)

    Guardians of the Galaxy

    Once I started seeing artwork and stills and especially the trailers, though, I had another concern. Now that it was starting to look really cool, I worried that they’d screw it up. I kind of hated director James Gunn’s last picture, Super, so I was afraid this picture might try to be smarter or more clever than it really is. I worried needlessly.

    Guardians of the Galaxy

    Guardians of the Galaxy is a complete, unqualified success. Not just the most enjoyable of all of the movies from Marvel Studios, it was actually more fun to watch than anything I’ve seen in the theater in some time. The tone and the spirit of adventure are absolutely perfect.

    Guardians of the Galaxy

    The story is basically your standard Macguffin hunt with odd personalities that must learn to work together, blah, blah, blah. But the execution is flawless. Well, nearly flawless – I don’ t know what Glenn Close & Benicio del Toro were doing in this movie but they should have been asked to stop.

    Guardians of the Galaxy

    The acting talent in general, however, is amazing. It’s a seriously deep cast, from Chris Pratt in the star-making lead role down to Seth Green as the voice of…well, that would be telling…

    Guardians of the Galaxy

    All of the characters are original and a blast to get to know, with Groot & Rocket being my personal faves. I love that they got Vin Diesel to voice a character who only says “I am Groot”. And Bradley Cooper really loses himself in Rocket. But the live-action actors are very fine and particularly committed to working with dizzying amounts of makeup. Karen Gillan and Lee Pace are unrecognizable.

    Guardians of the Galaxy

    The design of the film is fantastic, which is not easy to achieve in a sci-fi movie. There’s a tendency to be either derivative or totally out there (in an attempt not to be derivative).  But there are a lot of truly unique designs in the picture, with Star-Lord’s mask and gadgets, and the Novas ships sticking out particularly in my mind. There are an unbelievable amount of CG effects, which is unavoidable, but they are of an extremely high quality.

    Guardians of the Galaxy

    This is one of those times where a movie is so enjoyable that I have difficulty talking too much about it – I just want to say “go see it and by the way can I come, too?”

    Poster:

    Trailer:

    Bechdel Test:

    Pass

    The Representation Test Score: C (5 pts)

    (http://therepresentationproject.org/grading-hollywood-the-representation-test/)

    Guardians of the Galaxy Representation Test

     

    [schema type=”movie” url=”http://marvel.com/guardians” name=”Guardians of the Galaxy” description=”In the far reaches of space, an American pilot named Peter Quill finds himself the object of a manhunt after stealing an orb coveted by the villainous Ronan.” director=”James Gunn” actor_1=”Chris Pratt” actor_2=”Vin Diesel” actor_3=”Bradley Cooper” actor_4=”Zoe Saldana” actor_5=”Dave Bautista” actor_6=”Lee Pace” ]

    Main Cast Chris Pratt Peter Quill, Vin Diesel Groot (voice), Bradley Cooper Rocket (voice), Zoe Saldana Gamora
    Rating PG-13
    Release Date Fri 01 Aug 2014 UTC
    Director James Gunn
    Genres Action, Adventure, Sci-Fi
    Plot In the far reaches of space, an American pilot named Peter Quill finds himself the object of a manhunt after stealing an orb coveted by the villainous Ronan.
    Poster Guardians of the Galaxy
    Runtime 121
    Tagline You’re Welcome
    Writers James Gunn (written by) and, Nicole Perlman (written by) …
    Year 2014
  • The Fracking King: A Novel (2014)

    The Fracking King: A Novel (2014)

    The Fracking King: A Novel
    The Fracking King: A Novel by James Browning

    My rating: 2 of 5 stars

    I really don’t know what to make of The Fracking King. It is obviously penned by a talented author. I found it fascinating and wanted to keep reading. It was very engaging. It just was kind of a hot mess.

    The protagonist, Winston Crwth is a teen Scrabble prodigy. I was completely unaware such things existed. The entire book is very focused on Scrabble – obsessively so. While I can’t claim to have been misled – the synopsis clearly talks about “hardcore Scrabble” – I never expected that something so seemingly meaningless to me could be so massively important to a story.

    Winston is an awkward student entering his third high school, this one a bizarre and isolated boarding school filled with half-developed characters. The school is so backwards and weird that it can only be based on personal experience.

    The other main theme of the novel is about the controversial practice of fracking, where pressurized liquids of questionable content are injected into wellbores to break up rock formations and stimulate mining of gas. The author seems to be extremely knowledgeable on the subject and calling attention to the environmental issues is undoubtedly the main purpose of the novel. But it’s simply not digestible. For something that is talked about so much it is explained so little. The book assumes a similar amount of expertise on the part of the reader and speaks in shorthand; it’s an ill-advised presumption.

    Mainly, it’s a frustrating novel. There’s a great story in here, but the hyper-focus on the specifics of Scrabble and fracking don’t leave much room for development of the characters and the story is very disjointed. But it’s really interesting at the same time. I really have very mixed feelings about it. While I start to conclude that it was poorly written, I realize that I couldn’t put it down, so it certainly possessed some great qualities. I suppose I’d say that it wasn’t enjoyable but was engaging.

    [schema type=”book” name=”The Fracking King” description=”A striking debut novel about boarding school, hardcore Scrabble, and fracking—a new kind of environmental novel by an important voice in the debate about fracking in America. When the tap water at the Hale Boarding School for Boys bursts into flames, people blame fracking. Life at Hale has always been fraught—the swim test consists of being thrown into the pool with wrists and ankles tied, and a boy can be expelled if he and a girl keep fewer than “three feet on the floor.” But the sight of combustible drinking water and the possibility that fracking is making Hale kids sick turn one student into an unlikely hero in the fight to stop the controversial drilling practice. Winston Crwth, a Scrabble prodigy whose baffling last name rhymes with “truth,” knows what it’s like to be “fractured,” having grown up with his father in Philadelphia and his mother in California. On Winston’s comic journey to the Pennsylvania State Scrabble Championship, where he hopes to win an audience with beauty-queen-turned-governor Linda King LaRue, he matches wits with Thomasina Wodtke-Weir, the headmaster’s prematurely gray daughter and the most popular (read: only) girl at school; the state poet laureate, whose verse consists of copying out dictionary entries and restroom graffiti; and David Dark, son of the CEO of Dark Oil & Gas, the source of Winston’s scholarship money. The Fracking King is a fantastically inventive debut about rowing crew, using all your tiles, and trying to save the world.” author=”James Browning” publisher=”New Harvest” pubdate=”2014-07-01″ isbn=”0544262999″ ebook=”yes” hardcover=”yes” ]

  • Earth to Echo (2014)

    Earth to Echo (2014)

    140 Character Movie Review – #140RVW

    Forget the totally undeserved bad reviews, this is a solid tale for modern smartphone era kids with the tone of the great 1980’s adventures.

    Earth to Echo

    Spoiler-free Movie Review of Earth to Echo:

    Yikes! The vitriol aimed at this cute little movie is a little hard to come to terms with. I didn’t read one single review of the movie, but I kind of didn’t need to. Every time I looked up images or quotes or cast info, all I kept seeing was “shameless rip-off”, “uninspired”, “derivative”, and far worse. You people get that this is a kids movie, yes?

    Earth to Echo

    Part of the nastiness I attribute to our overly critical natures and simple schadenfreude. The films provenance is troubled, as it was developed by Walt Disney Studios who delayed release several times before they finally sold it off to Relativity Media, who then did some additional shooting. When you hear that sort of thing your antenna goes up and you usually assume that a project was thrown out with the trash as the studio didn’t believe in it. In this case, it seems to be more a case of being orphaned when there was a change in studio leadership. This sort of thing happens all the time in development; an executive who championed your project gets shifted and the new exec sees no upside to continuing with the inherited project (if it fails it’s their fault, if it succeeds the former exec gets the credit). It just happens much less frequently once a film is ready for release. With that news, however, everyone smelled blood in the water and proceeded to write the movie off, sharpening their knives in preparation of getting to rip it apart.

    Earth to Echo

    Most of the anger, though, seems focused on the perception that this movie rips off E.T. and is unoriginal. Stop right there – E.T. isn’t one of the finest films ever made because of how original it is. It was far from the first film to tread on this territory. (Spielberg himself took three tries to make the movie: Close Encounters of the Third Kind and the unmade sorta-sequel Night Skies. Another lesser-known fact is that both E.T.Close Encounters were both dogged by claims of plagiarism of an unproduced script by Satyajit Ray called The Alien that made the rounds in Hollywood for years.)

    Earth to Echo

    No, E.T. was brilliant and remains powerful because of its great heart, how amazing the relationships are, and how touching, magical and awe-inspiring it was. It’s also 32 years old. It’s a great story of friendship with a wonderful sense of adventure and kid empowerment, so why don’t modern kids deserve their own story?

    Think about it; how meaningful is the movie to today’s kids? I know we use words like timeless when discussing classic films, but oftentimes we’re kidding ourselves. Just because a movie is wonderful does not make it timeless. E.T. is very dated, and that’s not a criticism any more than applying the term to a Cold War film. While the picture is exactly as great as it was 32 years ago, it was a long time ago and utilizes outdated technology for major plot points.

    Earth to Echo

    We love the movies of our childhood and sometimes put them on pedestals where we can’t see that they’ve gotten a bit worn, and then we can’t see why everyone doesn’t view the films today exactly the way we did then.

    The filmmakers responsible for Earth to Echo have acknowledged a desire to create a movie with the adventurous spirit of those great 80’s movies and they have succeeded, while imbuing the film with a modern sensibility that will better resonate with its target audience of today’s kids. (And I reject the idea that modern films can simply update the old stories for kids who won’t appreciate older films. My daughter has seen E.T. – she loved it. And she loved this one. There’s nothing mutually exclusive about it – good, fun movies will be seen for what they are and will hold up if they are well-made. There’s nothing wrong with wanting to also have newer pictures that infuse the same spirit of wonder and adventure.)

    Earth to Echo

    The film centers around a group of best friends from a neighborhood in suburban Las Vegas that is being demolished to make way for a highway. (Amazingly I didn’t spot any Hitchhiker’s Guide to the Galaxy gags in here, which seems like a called shot.) As the families make their moving plans, phones around the diminishing neighborhood begin to act strangely, displaying seemingly nonsensical electronic noise. Of course our heroes, Tuck, Munch and Alex, detect a pattern in the signal and resolve to have one last adventure before they all are forced to go their separate ways. Over a crowded 24 hours, they’ll make 2 new friends – one out of this world – and get their famous last stand.

    Earth to Echo

    The film is shot in “found footage” format, a stylistic choice seemingly meant to resonate with a generation of smartphone users. It is largely an effective tool, although they clearly felt they needed to add some reshoots and additional non-shaky-cam footage, either to make the film more family-friendly or easier to follow, and it does make the look of the film sort of inconsistent. The basic conceit is that Tuck (played by rapper Brian “Astro” Bradley) aspires to YouTube fame and records his actions all the time through a combination of camcorders, smartphones and go-pro cams. Because of this, it makes sense that he’d get all of this footage, but it also means he and the other actors play to the camera a lot. Like any footage of people aware that they are being filmed, this is a little annoying at first, giving the film an amateurish feel, but through the course of the picture it leads to some great moments as real emotion is captured by characters who have let the omnipresence of the cameras lull them into forgetting that they are being filmed.

    Earth to Echo

    This premise of best friends being separated (a la Goonies) certainly is not new, but it is played out more effectively than most. There is some meaningful content here, and the picture doesn’t shy away from the emotional depth of these kids. Impressively, the found footage style really enhances the confessional feel of the moments when they let their guard down.

    The desert and deserted setting factors hugely in the tone of the film as the neighborhood clears out, giving a ghost-like quality to the area and believabilty to the concept that these kids could wander around so freely at all hours.

    Earth to Echo

    I haven’t mentioned much about the effects of the movie as I don’t consider Earth to Echo to be a big FX picture. What it does it does well, but other than a highway chase FX scene from the trailer that was an add by the second studio, it’s not showy and I like that. In the most significant break from the movies it is accused of ripping off, the point of the picture isn’t really even about the alien – it’s a story of the friends.

    Earth to Echo

    I freely admit that I allowed all of the negative vibe around this movie lower my expectations dramatically before seeing Earth to Echo. For that, I thank all of the haters, because I enjoyed it possibly more as a result. It was a fun picture that surprisingly avoided too much sentimentality. It’s not cutesy and frankly doesn’t sugar coat the feelings of the teen leads or insist on everything being wrapped up nicely. Put aside the criticism that this is ripping off a 32 year old movie and go with a kid who will remind you of the simple fun of watching a story with a cute alien.

    Poster:

    Trailer:

    Bechdel Test:

    Fail

    The Representation Test Score: C (5 pts)

    (http://therepresentationproject.org/grading-hollywood-the-representation-test/)

    Earth to Echo Representation Test

    [schema type=”movie” url=”http://callhimecho.com/” name=”Earth to Echo” description=”After receiving a bizarre series of encrypted messages, a group of kids embark on an adventure with an alien who needs their help.” director=”Dave Green” actor_1=”Teo Halm” actor_2=”Astro” actor_3=”Reese Hartwig” actor_4=”Ella Wahlestedt” ]

    Main Cast Teo Halm Alex, Astro (as Brian ‘Astro’ Bradley) Tuck, Reese Hartwig Munch, Ella Wahlestedt Emma
    Rating PG
    Release Date Wed 02 Jul 2014 UTC
    Director Dave Green
    Genres Adventure, Family, Sci-Fi
    Plot After receiving a bizarre series of encrypted messages, a group of kids embark on an adventure with an alien who needs their help.
    Poster Earth to Echo
    Runtime 91
    Tagline No one will ever believe our story.
    Writers Henry Gayden (screenplay), Henry Gayden (story) …
    Year 2014