Category: Reviews

  • After Earth (2013)

    After Earth (2013)

    140 Character Movie Review – #140RVW

    I don’t understand why this movie got lambasted with such bad reviews. It was good, with an original if simple story and some unique sci-fi.

    After Earth

    Spoiler-free Movie Review of After Earth:

    Some movies get a reputation pretty early on in the life cycle. Our critical nature as people and as a culture, coupled with the “me first” nature of the internet has definitely led to a tendency to jump all over a picture right away in order to be able to be the first snark on the scene. That’s fine, I guess, but it does grind up a lot of good stuff in the grist mill.

    Occasionally this works to the project’s benefit with individual viewers – when your expectations have been significantly lowered, you are more easily impressed. But this doesn’t work on a large scale – the word has already gone out and perception is now reality when it convinces people not to give a picture a chance.

    After Earth

    So it is with After Earth. I thought the trailers looked fantastic when they premiered. To my eyes, it looked like a good sci-fi picture, another entry in the series of modern films that envision a darker future for humans, due to our treatment of the environment. If you think you’ve seen a lot of these movies now, just wait – we’re only going to see more stories set in this environment. Why? For the same reason modern movies incorporate the internet – it’s our new reality.

    After unsuccessfully convincing my daughter to go see it with me, I missed the chance at After Earth in theaters. I have to admit that all of the negative press was a factor in not trying harder to get out to see it; I’m as guilty as the next person at following the hype. The loss was mine – and yours – because it is a good picture.

    After Earth

    After Earth, as the title implies, takes place in a future where we’ve had to abandon the planet after trashing the place and we settled on a new planet, Nova Prime. Unfortunately, there was some competition for the place (indigenous or other settlers is unclear and one of the early signs of sloppiness) and the “aliens” set loose creatures called Ursas, who are completely blind, sensing the pheromones humans give off when scared in order to hunt. (Not a bad idea, although again, I’d like to have heard more about this. Were they specifically bred for hunting humans? Do they sense fear in other creatures?)

    Will Smith plays Cypher Raige (really), part of the United Ranger Corps who helped everyone evacuate Earth and are now tasked with saving the human race from extinction at the hands of the Ursas. He is able to completely suppress all fear and emotion, rendering himself invisible to the Ursas – “ghosting”. By teaching other Rangers, they turn the tables and are able to survive on Nova Prime. (Yet again, this exposition happens in a blur and you don’t really understand the current situation – have they succeeded? Are they still in danger? Where are the aliens that loosed the Ursas – do they do any of their own fighting?)

    After Earth

    Meanwhile, between being physically distant off fighting and emotionally distant from ghosting, Cypher is a hero to all and a stranger to his family, particularly his son Kitai (Jaden Smith), whom Cypher unfairly blames for an Ursa killing his daughter Senshi (Zoë Kravitz). Kitai is training to become a Ranger but has yet to conquer his fears in the field and is denied advancement. Cypher takes his son along on the last trip before retirement, where of course things go pear-shaped. The ship crashes on Earth, now a dangerous and inhospitable place that Kitai must traverse on his own after his father is seriously wounded. The two survivors must trust in each other in order to get off the planet.

    That’s a really good story. Will Smith came up with it based on a reality show with more or less the same father-son survival story and turned it into pretty solid sci-fi – once Gary Whitta and Shyamalan cleaned it up and wrote the screenplay. (It was further polished by Stephen Gaghan & Mark Boal.)

    After Earth

    It’s really hard to do good science fiction and not have it be totally derivative or fundamentally unsound, and this avoids both, in my opinion. As I said, it’s not 100% fleshed out and while some audiences may have been itchy with a longer runtime, I would have enjoyed more depth. You definitely get the sense that some serious editing took place. As my wife pointed out, they didn’t do enough with the environment – “Earth was just an obstacle course”. I’m actually interested in reading some of the companion books they put out since I imagine there’s a lot more that was conceptualized than appeared in the film. This is always the case, particularly with sci-fi films, but since the movie was only 100 minutes, I’d guess there’s even more background than usual.

    I found the movie entertaining and well-conceived. The sci-fi elements that you need to have (good tech, visuals, unique ideas, exotic creatures, realistic assumptions) are all there. A number of the devices and technologies are totally new to me and welcome – I love the suits, the cutlass, and the breathing capsules – all unique.

    After Earth

    The film looks good – the production design is fairly standard, nothing terribly original but it’s not hugely derivative. The Ursas are very menacing, even if we don’t get enough time with them, and the ships are very cool. The effects are about what I expect them to be on a big 2013 movie. I thought they were mostly very good, some weak, some exemplary.

    The acting seems to be another one of those divisive issues. I didn’t find anyone particularly impressive, but neither did I think it was poor. Both Smiths adopt this weird accent that I don’t totally get but I appreciate them trying to do something new. The best thing about the acting is that it is certainly the first film in which Will Smith doesn’t try at all to be charming and witty. He had an idea for a character and went with it. Kitai is probably over-whiny for most people, but I think that’s the point. I appreciate the father/son dynamic of the story as written and think the Smiths did an adequate job of expressing it. Maybe not the highest praise, but it’s certainly not criticism.

    After Earth

    While I do a bit of research when writing these reviews, I generally try to avoid looking at what anyone else had to say about a movie, lest it inform my opinion, but I was terribly curious with this one. What was it about this movie that everyone hated so much?

    Turns out that the movie was not so universally reviled as I thought. That impression was arrived at by how viciously it was treated by some. From some reviews you’d think that this was Plan 9 from Outer Space without a sense of humor. Some compare it to Battlefield Earth. (Note: I guess some people claim there are a lot of Scientology parallels in this movie. I don’t have any idea about that. The movie follows the Joseph Campbell model more than anything.) But it seems pretty divisive. For every review that calls the effects awful, another one calls them amazing. Some call it unoriginal, others call it unique. It’s really an oddly mixed bag. In my own house, I turned to my wife afterwards and said, “I don’t know what everyone was complaining about. I thought that was really good.” and was greeted with deafening silence and then something like “It wasn’t atrocious…”.

    After Earth

    I find it interesting that while the movie bombed in the States, it was very successful overseas. Perhaps the press responded differently or maybe people simply aren’t as swayed by negative reviews?

    After Earth was supposedly going to kick off a series of films, which is never going to happen based on its box office – at least in the US. Probably for the best, as while I like the setting, I’m unsure how you’d continue the story. The movie is unlikely to gain an audience at home that it missed in the theaters, but maybe it will gain some traction when it hits cable, which it is certain to do. I really did enjoy the movie – not in the “I can’t wait to watch that again” way, but I appreciated it and am glad I took the time to watch it. I recommend you do so as well, and make up your own mind.

    Poster:

    Trailer:

    Bechdel Test:

    Fail

    The Representation Test Score: D (3 pts)

    (http://therepresentationproject.org/grading-hollywood-the-representation-test/)

    After Earth Representation Test

     

    [schema type=”movie” name=”After Earth” description=”A crash landing leaves Kitai Raige and his father Cypher stranded on Earth, a millennium after events forced humanity’s escape. With Cypher injured, Kitai must embark on a perilous journey to signal for help.” director=”M. Night Shyamalan” actor_1=”Will Smith” actor_2=”Jaden Smith”]

    Main Cast Jaden Smith Kitai Raige, David Denman Private McQuarrie, Will Smith Cypher Raige, Sophie Okonedo Faia Raige
    Rating PG-13
    Release Date Fri 31 May 2013 UTC
    Director M. Night Shyamalan
    Genres Action, Adventure, Sci-Fi
    Plot A crash landing leaves Kitai Raige and his father Cypher stranded on Earth, a millennium after events forced humanity’s escape. With Cypher injured, Kitai must embark on a perilous journey to signal for help.
    Poster After Earth
    Runtime 100
    Tagline Danger is real. Fear is a choice.
    Writers Gary Whitta (screenplay) and, M. Night Shyamalan (screenplay) …
    Year 2013
  • George Lucas in Love (1999)

    George Lucas in Love (1999)

    140 Character Movie Review – #140RVW

    Incredibly clever and funny send-up of both dubious Best Picture winner Shakespeare in Love and the Star Wars legacy. Very cute this is…

    George Lucas In Love

    Spoiler-free Movie Review of George Lucas In Love:

    A great reminder of the innovation and creativity found in short films, George Lucas in Love is a perfect satire and simply a lot of fun.

    George Lucas In Love

    The story finds a young Lucas at USC film school in 1967 with a case of writer’s block. Everywhere around him are interesting characters, but he’s still struggling to finish his screenplay. With the help of fellow student Marion, he sees the world around him anew.

    George Lucas In Love

    This film is just a ton of fun. Sight gags and Star Wars references are everywhere. It’s cutesy and gimmicky of course, but it’s a short film. By the time you start to wonder how long they can sustain this – it’s over. If you haven’t seen it, you’re in for a (short) treat!

    George Lucas In Love

    Poster:

    George Lucas In Love

    Trailer: (Actually, the whole thing)

    Bechdel Test & The Representation Test Score:

    Skipped for short films.

    [schema type=”movie” name=”George Lucas in Love” description=”1967 film student George Lucas has writer’s block trying to finish his “Space Wheat” script, until a beautiful fellow student with a familiar hairstyle teaches him that the best stories are in plain sight.” director=”Joe Nussbaum” actor_1=”Martin Hynes” ]

    Main Cast Martin Hynes George, Lisa Jakub Marion, Jason Peck Benji, Jeff Wiens Aaron
    Rating
    Release Date 1999
    Director Joe Nussbaum
    Genres Short, Comedy, Romance
    Plot 1967 film student George Lucas has writer’s block trying to finish his “Space Wheat” script, until a beautiful fellow student with a familiar hairstyle teaches him that the best stories are in plain sight.
    Poster George Lucas in Love
    Runtime 8
    Tagline Dozens of years ago, in a nearby galaxy…
    Writers Joe Nussbaum (story) &, Timothy Dowling (story) …
    Year 1999
  • The Wolf of Wall Street (2013)

    The Wolf of Wall Street (2013)

    140 Character Movie Review – #140RVW

    Much better & shorter when it was called Goodfellas, it achieves something no other Scorsese picture has: irrelevance. For fanatics only…

    The Wolf of Wall Street

    Spoiler-free Movie Review of The Wolf of Wall Street:

    I was very upset when I watched The Wolf of Wall Street because I had not heard that Thelma Schoonmaker, long-time editor of Martin Scorsese’s films, had passed away. I knew she must no longer be with us, because I couldn’t imagine that she ever would have approved of this tedious marathon of a film. Imagine my surprise when I found out that she was alive and well. While of course this is great news, it left me terribly confused about what happened with this picture.

    The Wolf of Wall Street

    I suppose there’s nothing really wrong with The Wolf of Wall Street; it just serves absolutely no purpose. There’s nothing here you haven’t seen before and seen better.

    The Wolf of Wall Street

    Let me see if I can describe it for you: based on an embellished but true-life story of an anti-hero who will nevertheless be glamorized for the length of the picture, the story follows the ascent and fall of a remorseless criminal over a lengthy period of time, during which he will repeatedly break the 4th wall to boast of his misdeeds, before ending with a smirk as he gets off without proper punishment. In filming said story, there will be lots of period music, sure to include the Rolling Stones, there will be a strong male supporting actor and there will be absolutely no positive female presence at all. There will be a ton of profanity and objectification of women and absolutely no one will apologize for their behavior, betraying the director’s complete acceptance of and promotion of their criminality.

    Sound interesting? It’s called Goodfellas and it came out in 1990. It is also a description of The Wolf of Wall Street.

    The Wolf of Wall Street

    This film is a longer, less interesting and more sprawling update of Goodfellas, with the criminals using phones instead of pistols. It represents a complete lack of originality or creative effort. Yes, I understand that it’s an entirely different real-life subject with a different story to tell, but really, what is the difference between the two films and why did the story of this guy need to be made into a film. What’s so disheartening about this complete regression by Scorsese is that with his last picture, Hugo, he seemed to be taking a real chance for the first time in a very long time.

    Don’t misunderstand – I love Goodfellas, I love Scorsese movies, I love dark, violent stories. I’m not suggesting that Scorsese should limit himself to children’s movies or be afraid to deal in moral ambiguity. But this isn’t ambiguous – he is glamorizing white collar criminals in this picture. Don’t give me the Godfather argument that he isn’t celebrating these characters but simply telling an interesting story. He’s too good at his job; he makes crime look too good in his pictures. The punishment is never adequate and never lessens the “cool” factor of the characters. Disagree? Go to the mall and see if you can find any lithographs or t-shirts of Kundun‘s Dalai Lama in between all of the images of Tony Montana, Don Corleone & Henry Hill.

    The Wolf of Wall Street

    The film is technically an independent since it was produced by independent companies like Red Granite Pictures, but really, can any 100 million dollar film distributed by Paramount be considered indie? What it does mean is that Scorsese was allowed to do whatever the hell he wanted. And did he ever. The film is staggeringly long – 3 hours of total indulgence by the characters and the filmmakers. Watch this trend carefully – a number of pictures are getting greenlit by production companies with little to no experience in filmmaking. They are dangling huge monies in front of filmmakers, often based on international receipts, and offering creative freedom. This isn’t a bad thing in of itself, but auteur directors don’t need any encouragement to indulge themselves in their vision – they need input and criticism by contemporaries and experienced producers.

    The Wolf of Wall Street

    The Wolf of Wall Street is the most disappointing film release of the 2013 awards season. If I had never seen any of Scorsese’s other, better movies, I might have been impressed, but the complete moral vacuum of the picture would probably still have been a deal-breaker for me. It’s a long, rambling, uneven, rerun of a film that glamorizes securities fraud and financial corruption. A huge step backwards for the director.

    Poster:

    Trailer:

    Bechdel Test:

    Fail

    The Representation Test Score: F (0 pts)

    (http://therepresentationproject.org/grading-hollywood-the-representation-test/)

    Representation Test

    [schema type=”movie” name=”The Wolf of Wall Street” description=”Based on the true story of Jordan Belfort, from his rise to a wealthy stock-broker living the high life to his fall involving crime, corruption and the federal government.” director=”Martin Scorsese” actor_1=”Leonardo DiCaprio” actor_2=”Jonah Hill”]

    Main Cast Leonardo DiCaprio Jordan Belfort, Jonah Hill Donnie Azoff, Margot Robbie Naomi Lapaglia, Matthew McConaughey Mark Hanna
    Rating R
    Release Date Wed 25 Dec 2013 UTC
    Director Martin Scorsese
    Genres Biography, Comedy, Crime, Drama
    Plot Based on the true story of Jordan Belfort, from his rise to a wealthy stock-broker living the high life to his fall involving crime, corruption and the federal government.
    Poster The Wolf of Wall Street
    Runtime 180
    Tagline
    Writers Terence Winter (screenplay), Jordan Belfort (book)
    Year 2013
  • A Little Bit of Heaven (2011)

    A Little Bit of Heaven (2011)

    140 Character Movie Review – #140RVW

    This maudlin tear-jerking rom-com isn’t terrible – it just isn’t any good. Overlong, has impressive roster of actors – every one wasted…

    A Little Bit of Heaven

    Spoiler-free Movie Review of A Little Bit of Heaven:

    Quick note about this site: I don’t have a comment section – it’s just spam bait. I can’t bear it. But I definitely want feedback and requests, so I direct you to the social media channels for this site:

    Facebook: https://www.facebook.com/NowVeryBad
    Google+: https://plus.google.com/+Nowverybad/
    Twitter: https://twitter.com/NowVeryBad

    A Little Bit of Heaven

    This review was written after one such request. I really want to encourage people to submit requests, so I’m going to try to take it easy on this movie, which otherwise I might be more snarky about.

    Also, big caveat about this review: I have been extremely fortunate to have never lost anyone to cancer. I am so grateful for that. So my view on this movie may vary wildly from someone who has experienced that loss.

    A Little Bit of Heaven

    A Little Bit of Heaven is exactly what it looks like; a tear-jerker romance with that cute Kate Hudson. It’s funny, but I almost feel guilty picking on Hudson, because whenever the Academy drags her onstage to do something at the Oscars, knowing full well that she won’t ever be on that stage through her talents, they always pan the camera to her parents, Kurt Russell & Goldie Hawn. The two of them are totally adorable, obviously beaming with pride at their little girl being up there. It’s an image I can’t get out of my head and so I can never be too harsh on her, knowing she’s their pride and joy. It’s a good reminder to all of us critics that everyone involved in making motion pictures is a human being who is loved by someone and deserves a little kindness.

    So I apologize to Goldie & Kurt, because I can’t say anything nice about Kate Hudson, so I guess I’ll try to say nothing.

    She isn’t really the problem with this picture, anyway. It is true that she has a nose for poor projects and is as reliable a coalmine canary as Louis Gossett Jr. for which films to avoid. The streak continues here with as syrupy a movie as you’re likely to come across.

    A Little Bit of Heaven

    Hudson plays a rather fun character named Marley Corbett, an ad exec who speaks plainly and is surrounded by too many characters. She contracts a movie-attractive version of terminal colon cancer and unaccountably takes 107 minutes to die of it. (Note: I maintain this is not a spoiler – it’s the MO of the film – I’m not spoiling things anymore than suggesting that the actors in a rom-com will kiss at the end.)

    Marley falls for her doctor, Gael García Bernal as Julian Goldstein (?), who despite being emotionally distant and stilted, takes about three minutes to decide to abandon any ethics over getting involved with a patient. Bernal and Hudson have absolutely zero chemistry.

    There aren’t just too many characters in this movie, there are far too many talented actors for a movie so poor. Kathy Bates, Lucy Punch, Treat Williams, Peter Dinklage, Romany Malco, Rosemary DeWitt, Steven Weber and Alan Dale all have scenes, but the characters are totally one-dimensional (even Dinklage’s gigolo). It also fails the Whoopi Goldberg test (it contains Whoopi Goldberg).

    A Little Bit of Heaven

    Possibly the only unique thing about so formulaic a film is that it doesn’t take place in New York – although it so easily could. New Orleans must have offered more attractive tax credits. The setting is a nice change of pace, although it did attract one of the Neville Brothers (Ike) to do the music. I wonder if they asked him to or if he just showed up and they couldn’t get rid of him.

    I guess I didn’t do a very good job of laying off of this movie. It really wasn’t a bad movie, per se, it just similarly had nothing going for it. This would have been a perfectly serviceable made for tv movie on Hallmark or Lifetime. But as a feature it is cutesy, underachieving treacle.

    Poster:

    Trailer:

    Bechdel Test:

    Pass

    The Representation Test Score: A (11 pts)

    (http://therepresentationproject.org/grading-hollywood-the-representation-test/)

    A Little Bit of Heaven Representation Test

    [schema type=”movie” name=”A Little Bit of Heaven” description=”An irreverent young woman who uses her humor to prevent matters from getting serious has a life-changing visit with her doctor.” director=”Nicole Kassell” actor_1=”Kate Hudson” ]

     

    Main Cast Kate Hudson Marley Corbett, Gael García Bernal Julian Goldstein, Kathy Bates Beverly Corbett, Peter Dinklage Vinnie
    Rating PG-13
    Release Date Fri 04 May 2012 UTC
    Director Nicole Kassell
    Genres Comedy, Drama, Fantasy, Romance
    Plot An irreverent young woman who uses her humor to prevent matters from getting serious has a life-changing visit with her doctor.
    Poster A Little Bit of Heaven
    Runtime 106
    Tagline Life starts now.
    Writers Gren Wells (written by)
    Year 2011
  • When Harry Met Sally… (1989)

    When Harry Met Sally… (1989)

    140 Character Movie Review – #140RVW

    The greatest romantic comedy not named Annie Hall ever made. Only 25 years old, but feels like we’ve always had this one with us. Classic…

    When Harry Met Sally...

    Spoiler-free Movie Review of When Harry Met Sally…:

    This movie is so good it’s on another level. Nora Ephron’s screenplay is the best of her career, and she’s not alone in having this film be her personal best. When Harry Met Sally features arguably the best work put in by Billy Crystal, Meg Ryan, Bruno Kirby & Carrie Fisher.

    When Harry Met Sally...

    There is unquestionably a very Woody Allen quality to the picture, enough so that he may have had grounds for complaint if not actual legal action. It’s that close…

    When Harry Met Sally...

    That said, while it is a very stereotypical picture it goes about its business in very fresh ways. This may be a typical New York rom-com on paper, but in execution it is nearly flawless. The dialogue is lovely and full of great new commentary on relationships. If it seems familiar to new viewers it is only because nearly every rom-com since 1989 has been borrowing this playbook.

    When Harry Met Sally...

    As great as the screenplay is, the actors really make the picture. Crystal certainly added a ton of the best lines and both he and Ryan played their roles so well that they were stuck doing the same thing for years after as a result.

    When Harry Met Sally...

    When Rob Reiner developed this project with Ephron, he was in the middle of a serious hot streak, having just wrapped on The Princess Bride, following Stand By Me. When Harry Met Sally is among his finest efforts, and he is helped in his mission to romanticize New York perfectly by Barry Sonnenfeld’s cinematography.

    Even more impressive may be the huge boost this film gave to the career of Harry Connick Jr., who was tapped by Reiner to provide a soundtrack for the film comprised of standards. He put together a Grammy-winning performance on the must-have soundtrack album, although for some bizarre reason the film itself only features a couple of the performances, opting instead for more traditional versions of the same standards. Bizarre.

    When Harry Met Sally...

    It’s hard to find anything negative to say about When Harry Met Sally, unless you’re going to hold it responsible for all the crappy rom-coms it inspired. It’s pretty much a perfect comedy and still plays 25 years later.

    Poster:

    Trailer:

    Bechdel Test:

    Pass

    The Representation Test Score: B (8 pts)

    (http://therepresentationproject.org/grading-hollywood-the-representation-test/)

    When Harry Met Sally Representation Test

     

    [schema type=”movie” name=”When Harry Met Sally…” description=”Harry and Sally have known each other for years, and are very good friends, but they fear sex would ruin the friendship.” director=”Rob Reiner” actor_1=”Billy Crystal” actor_2=”Meg Ryan”]

    Main Cast Billy Crystal Harry Burns, Meg Ryan Sally Albright, Carrie Fisher Marie, Bruno Kirby Jess
    Rating R
    Release Date Fri 21 Jul 1989 UTC
    Director Rob Reiner
    Genres Comedy, Drama, Romance
    Plot Harry and Sally have known each other for years, and are very good friends, but they fear sex would ruin the friendship.
    Poster When Harry Met Sally...
    Runtime 96
    Tagline Can two friends sleep together and still love each other in the morning?
    Writers Nora Ephron (written by)
    Year 1989