Tag: 2011

  • Butter (2011)

    Butter (2011)

    #140RVW

    What a weird movie. I guess it’s a satire of the 2008 Democratic Primary, although I didn’t get that from it at the time. Too over the top.

    Butter

    What’s more:

    The hardest type of comedy has to be satire. It’s so difficult to get the tone right, and if you miss you really faceplant.

    Butter

    Butter is the story of the over-ambitious wife of a award-winning butter sculptor (yes, apparently that’s a thing) who believes his success will propel them both to political careers. When he steps down from competing, she becomes obsessed with taking up the mantle. The only problem, besides her total lack of any experience, is her competition from both her husband’s stripper lover and a 10-year-old foster child who has a real talent.

    Butter

    Butter really isn’t a very good movie. The script is a total mess, with at least two storylines too many going on and more actors than it can reasonably keep busy. It may be comic, but I’m not sure it can properly be labelled satirical, since it’s unclear what exactly it’s satirizing. Yeah, there’s a political message here that all elections are essentially the same, but it doesn’t really hit the mark.

    Butter

    There’s far too many good actors in this for it to be so poor. And it isn’t awful or anything. The film mainly seems confused about what it wants to be. I find myself in the unique position of recommending that you avoid the movie even though I didn’t think it was all that bad. It just doesn’t really have anything to offer.

    Butter

    The acting is really the only reason to watch Butter, and I’m not talking about the big-name talent. Jennifer Garner really goes for the crazy ambitious wife role with both barrels, but I’ve always found her sort of a lifeless performer anyway, so this isn’t the transformation it’s probably supposed to be. Ty Burrell does his thing, Kristen Schaal is herself and Alicia Silverstone is practically unrecognizable as a frumpy mom. Olivia Wilde is nicely over the top as Brooke and Hugh Jackman is just weird.

    Butter

    No, the star of the show is Yara Shahidi as the talented Destiny. This young actress is splendid and her performance alone justifies the 90 minutes I spent watching this. She has some really nice scenes with Rob Corddry, who up until this point I could take or leave. But he is wonderfully understated in this movie as Destiny’s foster dad and the first person to really connect with the girl. His character’s gentle caring for this amazing young kid is truly an unexpected subtlety in a movie that doesn’t deal in the small moments.

    Poster:

    Trailer:

    Bechdel Test:

    Pass

    The Representation Test Score: A (11 pts)

    (http://therepresentationproject.org/grading-hollywood-the-representation-test/)

    Representation Test

    Main Cast Jennifer Garner Laura, Yara Shahidi Destiny, Ty Burrell Bob, Olivia Wilde Brooke
    Rating R
    Release Date Thu 18 Oct 2012 UTC
    Director Jim Field Smith
    Genres Comedy
    Plot In Iowa, an adopted girl discovers her talent for butter carving and finds herself pitted against an ambitious local woman in their town’s annual contest.
    Poster Butter
    Runtime 90
    Tagline A comedy about sex, power and spreading the wealth.
    Writers Jason A. Micallef (as Jason Micallef) (written by)
    Year 2011
  • Where Do We Go Now? “Et maintenant on va où?” “وهلّأ لوين؟ w halla’ la wayn”(2011)

    Where Do We Go Now? “Et maintenant on va où?” “وهلّأ لوين؟ w halla’ la wayn”(2011)

    #140RVW

    Complicated tale of religious conflict in Lebanon recalls Lysistrata. Very good but not totally satisfying; bit scattered & inconsistent…

    Where Do We Go Now?

    What’s more:

    Where Do We Go Now? opens with an arresting scene of female mourners moving in rhythm to visit the graves of the young men of their Lebanese village. It is absolutely striking and sets the tone for an ambitious and mostly excellent film focusing on the impact of religious strife on a small village.

    The Muslim & Christian people of this village have learned to live together, but the religious divide is always present and ready to swallow all. No one in the village has been unaffected by the fighting outside their borders and their tenuous peace is threatened when new conflicts stir up old resentments. Channeling their inner Lysistrata, the women of the town resort to increasingly crafty ways to keep the fighting from their homes.

    Where Do We Go Now?

    Director, actress and co-screenwriter Nadine Labaki has put together some great elements for a movie here. Possibly more than one movie. In fact, that’s really the problem. The movie is kind of a mess.

    While there are excellent pieces here – an empathetic view, great humor, strong emotions – the result is not greater than the sum of its parts. It’s all a bit muddled. The overall tone is one of humor as the women show their resourcefulness and humanity. But there are equal moments of such crushing pain and loss. It’s challenging, and that’s a good thing, but the different tones are hard to square and the final mix is a bit confused.

    Where Do We Go Now?

    Additionally, there really are too many balls in the air. Plot points can be hard to follow and are not always resolved satisfactorily. In the end, it feels like the filmmakers bit off more than they could chew.

    But it’s a good film. I am very glad I watched it. I enjoyed the humor of these wonderful women and I was ripped apart by their suffering. I just wish it hadn’t been in the same 2 hours…

    Where Do We Go Now?

    One last thing; the version I watched had English subtitles, which is fine, and English overdubbed dialogue, which is not. It was awful. I prefer to hear the actors in their own language – I don’t mind reading. It was very distracting when the spoken English did not match the subtitles (nearly always) and the quality of the voiceovers was poor. So try to find a dvd with the spoken language in the original Arabic.

    Poster:

    Trailer:

    Bechdel Test:

    Pass

    Main Cast Claude Baz Moussawbaa Takla, Leyla Hakim (as Layla Hakim) Afaf, Nadine Labaki Amale, Yvonne Maalouf Yvonne
    Rating PG-13
    Release Date Wed 14 Sep 2011 UTC
    Director Nadine Labaki
    Genres Comedy, Drama
    Plot A group of Lebanese women try to ease religious tensions between Christians and Muslims in their village.
    Poster Where Do We Go Now?
    Runtime 110
    Tagline
    Writers Thomas Bidegain (collaboration), Nadine Labaki
    Year 2011
  • The Muppets (2011)

    The Muppets (2011)

    #140RVW

    One of world’s most beloved franchises is revived by the creative teams behind Forgetting Sarah Marshall & Flight of the Conchords. #whoknew

    The Muppets
    “You always believe in other people, but that’s easy. Sooner or later, you gotta believe in yourself, too, because that’s what growing up is. It’s becoming who you want to be. You have to try.”

    What’s more:

    I think many of us were cautiously optimistic about this. I was really pulling for it. The Muppets were a HUGE part of my childhood and I never stopped loving them.

    Hoped that the impressive talents involved would do justice and not try to be hip. My expectations were comically leapfrogged…

    The Muppets

    What comes through clearly is the obvious love that everyone involved has for the Muppets. Writers Jason Segel & Nicholas Stoller, along with director James Bobin take the absolute perfect approach: love but not reverence. They are fulfilling a geek dream of restoring a franchise, but are simultaneously updating it for today. That sort of phrase usually scares me, but in this instance updating is not a dirty word. They’ve brought these characters back and made room in our world for them. The characters are unchanged but not entrenched.

    The Muppets

    One of the best film-making tools for trying to find out if something old can be renewed? Approach the question directly. By having the characters themselves search for and ponder their relevance, the audience just gets to come along for the ride. I love when Chris Carter even sneers about the old-fashioned, Dom DeLuise era of variety shows.

    The Muppets

    The music numbers by Bret McKenzie are show-stopping, and though he won an Oscar for “Man or Muppet”, I still feel he was robbed as he wasn’t allowed to perform it on the show.

    The movie is something less than perfect, of course, but it is so much fun that you will never notice… 

    the_muppets_still6

    Poster:

    Green_with_Envy_poster

    Trailer:

    wait a minute…no, here’s the poster & trailer:

    Poster:

    Trailer:

    http://youtu.be/Mq5LfuvRBVM

    Bechdel Test:

    FAIL

  • #140RVW: Doctor Who: The Doctor, the Widow and the Wardrobe (2011)

    #140RVW: Doctor Who: The Doctor, the Widow and the Wardrobe (2011)

    Charming, exciting, funny, immensely quotable; everything a Doctor Who Christmas Special should be. Bit confusing for newbies, but worth it.

    Doctor Who: Christmas Special 2011

    Poster:

    Doctor Who: Christmas Special 2011

    Trailer:

  • #140RVW: Eureka (Episode 421) “Do You See What I See” (2011)

    #140RVW: Eureka (Episode 421) “Do You See What I See” (2011)

    Maybe the most ambitious ever holiday special for a recurring tv series. Hilariously & expertly switches between most every animation style.

    Eureka "Do You See What I See"

    Poster:

    Trailer: